> A pioneering Urtext edition > With an extensive Performance Practice Commentary > For further information on Romantic performance practice we recommend the text booklet: 'Performance Practices in Jo...
The main differences from the available editions concern mainly articulation and dynamics in movements 1, 2 and 4. This Critical Report is a treasure trove for the practitioner ...
> A pioneering Urtext edition > With an unmarked Urtext part > With a second part including fingering and bowing based on the practices of contemporaries of Brahms > With an extensive Performance Prac...
Bärenreiter's pioneering scholarly-critical editions of Brahms' works for one instrument and piano (BA9429, BA9430, BA9431, BA9432, BA9433, BA10911, BA10908, BA10907, BA10906) are edited by a team of...
In the case of the 1st Symphony, Clive Brown provides the optimal balance of source criticism and practical relevance.
The genesis and source history of Beethoven's 'Choral Fantasy' is convoluted and poses considerable difficulties for today's research. A definitive 'last hand version' does not exist.
In May of 1802, the 'Allgemeine musikalische Zeitung' praised the violin sonatas op. 23 and 24 as being '... among the best Beethoven has written, which is to say that they are among the best being wr...