Arranged by Harry Gee for 3 alto saxophones or 2 altos and 1 tenor. The material covers the Baroque, Classic, Romantic, and Contemporary eras.
Young musicians will find this arrangement of Wolfgang Amadeus Mozart's work perfect for a sophisticated recital or contest selection. Originally sung by a tenor voice in Act III of Don Giovanni, the...
Harry's version of the first movement from Mozart's Piano Sonata In F casts all players in a variety of solo and accompaniment roles. By so doing, the success of any performance relies on all members...
The Rondo from Mozart's piano sonata is a natural for clarinet quartets. Scored with interesting parts for all, this grade 4 arrangement has a lightness that will appeal to players and listeners alike...
This exciting, syncopated arrangement works equally well with either a soprano or an alto lead. A student favorite.
Mozart's Divertimento No. 2, KV. 299 has been splendidly adapted for woodwind quartet. This arrangement can be played by quartets consisting of flute, oboe, clarinet, and bassoon or 2 flutes, clarinet...
This arrangement of the perennial American favorite starts with a straightforward presentation and finishes with a lively variation, with a surprising excerpt between that'll be a real treat for liste...
Rabaud's famous Solo de Concours was used for the Paris Conservatory clarinet competition between 1901, '08, and '37. Harry Gee has transcribed the work for alto saxophone and piano, and has also arra...
Although this work was originally composed for clarinet choir, its rich harmonies and lyricism make it especially appropriate for saxophone ensemble. Instrumentation: Soprano Sax, 3 Alto Sax, 2 Tenor...
Originally written for a small orchestra, Brahms excluded violins from the original score intentionally, not wanting to include their outstanding brilliance of tone. Brahms instead suggests additional...
Contest List: NY This delightful arrangement of the second movement from Mozart's Violin Sonata No. 9 is ideal for advanced high school and college students. A great work for studying ornaments includ...
A toe-tappin' ragtime one-step! Features syncopation and jazzy excitement in a saxophone quartet of moderate difficulty. Soprano sax lead may be replaced with optional alto sax part.
Firmly established as one of the most performed alto saxophone solos on contest and festival lists throughout the world. This solo piece, originally written for oboe and continuo in C minor, includes...
This arrangement for tenor saxophone by Harry Gee includes and Andante in 3/4 followed by an Allegro in a 6/8 which includes quick slur-staccato patterns and a few large leaps to both the upper and lo...
16 intermediate duets in progressive difficulty for alto and tenor saxophones.
The 3rd part is printed for both alto saxophone and tenor saxophone to lend flexibility to the instrumentation.
A two-movement work playable by advanced middle school and high school players.
Originally written for clarinet and piano, this canzonetta by Pierne has been transcribed for either Eb alto saxophone, Bb tenor saxophone or soprano saxophone.
The 'Allegro Spiritoso' is the 3rd movement of a Sonata in D Minor. Versions for following instruments are available from the publisher: alto clarinet, bass clarinet, contra alto clarinet, contrabass...
The perfect piece for the advanced beginner or intermediate clarinetist. This lyrical, multi-sectional work in a major key is an ideal vehicle for young players to develop their technique and tone.
With sweeping, legato, syncopated lines over a rhythmic piano accompaniment, this easy solo sounds great and is perfect for learning to navigate the break at moderate tempos.
This collection includes the following titles: I. Sicilian Air (Pergolesi), II. Larghetto (Mozart), III. Andante (Diabelli), IV. Largo (Handel), V. The Linden Tree (Brahms), VI. Andantino, Op. 13 (Kab...
This four movement sonata (BWV 1033) was originally written for flute and continuo (harpsichord). This version for tenor saxophone or soprano saxophone and piano was arranged and transcribed by Harry...
This transcription by Harry Gee can be performed not only on tenor saxophone, but also on soprano saxophone or clarinet.
Johann Ernst Galliard (1687-1749), like Handel, came under the incluence of the Italian style. Arranger Harry Gee has taken two movements from Galliard's SIX SONATAS FOR BASSOON OR VIOLONCELLO which s...
Following the success of the composer's Concertpiece No. 1, requested by clarinet virtuosi Heinrich and Carl Baermann, the father-son duo asked for this second piece. Published posthumously, it is com...
This delightful arrangement represents the third and fourth movements of George Frederic Handel's famous Sonata in C Minor. This piece makes for an outstanding study and contrast piece for oboe or sax...
Originally written by English organist/composer James Hook (1746-1827) and adapted here by Harry Gee, this trio is a stellar example of classical music at its best. The opening Andante is 25 measures...
This well-known Irish air, rich in history and known by over 100 names (including Danny Boy), has a beautiful lyrical quality and is perfect for the grade 2+ soloist. The piano accompaniment is scored...
This well-known Irish air (also known as Danny Boy) has a beautiful lyrical quality that makes it a perfect choice for grade 2 instrumental soloists.
This is a fine recital or contest selection for the intermediate young bass clarinet player.
Harry Gee transcribed large sections of the Concerto, K. 622 for two clarinets in order to give the student a more complete understanding of the musical content. When an pianist who can play the works...
