In cooperation with the G. Henle publishing house
Without Carl Reinecke's Concerto in D major op. 283, the 19th century would be a pretty white spot on the repertoire map of the genre 'flute concerto'.
A very readable foreword and extensive Critical Commentary with all necessary information enrich this Urtext edition by master Munich flautist and Mozart expert Henrik Wiese. One may learn there, for...
This pocket score brings together two Mozart quintets that are extraordinary both for their instrumentation and for their musical profundity: the piano quintet K. 452 in E-flat major for piano, oboe,...
Ever since Mozart encountered the clarinet in Mannheim in 1778 he loved the instrument's warm and expressive tone. His friendship with Anton Stadler, the clarinetist in the Royal-Imperial Court Orches...
What might have occasioned Mozart to rework his original Serenade for sextet into a version for octet (with two oboes) only a few months after he had completed it? Was there an 'external” cause? Once...
I've had to turn out a serenade on short order': these lines from Mozart to his father offer a glimpse into the everyday life of a composer dependent on patronage. Mozart was about to be married when...
'Wind music of a very special nature on a large-scale, a composition by Hr. Mozart' - this was the way the 'Wiener Blättchen' announced the concert in the National Court Theatre, in which the clarinet...
We not only owe three of Mozart's horn concertos to his friendship with Ignaz Leutgeb; the solo part of this unusual chamber music work was also written especially for him. Instead of having two violi...
