Die Violinsonate Nr. 1 e-moll op. 73, eine "Große Sonate für Violine und Klavier", nimmt in Joachim Raffs Schaffen eine wichtige Stellung ein: Sie spiegelt zahlreiche, für Raff charakteristische, küns...
Joachim Raff's 12 piano pieces Frühlingsboten op. 55, originating in 1852/53, mark a new creative start in his compositional oeuvre, in which the composer left behind his previously written and publis...
Revised version by the Gustav MahlerGesellschaft, Vienna
Stylistically strongly influenced by Liszt's North German School, Raff was drawn to Weimar in 1850 on Mendelssohn's recommendation, where he served as director of Hoch's Conservatory until his death i...
The three piano sonatas by Joachim Raff (1822-1882), representing his three main creative phases, occupy a special position among his more than 100 piano pieces. They reflect a significant composition...
Raff's Cello Sonata op. 183 appeared in print in late 1873; at a time when Raff's success was at its zenith with Symphonies Nos. 3 and 5 as well as many chamber works. Little is known about the circum...
Joachim Raff’s celebrated first cello concerto is only gradually being rediscovered today. This is astounding, taking into account both the quality of the composition as well as its enthusiastic recep...
Joachim Raff's Fifth Symphony "Lenore" op. 177, composed in 1872, reveals the composer as a representative of the middle ground between Neo-German aesthetics and the symphonic tradition. It owes its n...
Orchestrally-conceived, full of energetic vigor, and at times uncompromisingly modern: The two captivating quartets are now available as Urtext editions. With his first String Quartet in D minor, op....
