The compositions and teachings of Francisco Tárrega (1852-1909) represent a milestone in the development of guitar technique. The present preludes are among his most characteristic works. Strictly spe...
Robert de Visée, musician at the court of Louis XIV is well-known to players of the guitar because of the music he wrote for this instrument. Nevertheless comparatively few of his works have been publ...
The Partita in A minor was transcribed from the handwritten tablature of the lutenist A. Logy. The editor used the merits of the modern classical guitar very subtly within this arrangement.
mit Faksimile des Autographs
Aus den Lautenwerken Johann Sebastian Bachs wurden hier die leichtesten ausgewählt. Es sollte für jeden Gitarrespieler eine Selbstverständlichkeit sein, mit diesen Perlen der Musikliteratur vertraut z...
This study selection features only those exercises that are of enduring musical value. They provide the technical basis for every guitar player. A number of preliminary studies added by the editor giv...
Regarding layout and structure, these studies are the continuation of Fernando Sor's Twelve easy studies from op. 60. The editor considers new and important stroke types in this work and also provides...
nach der Violin- und Lautenfassung
Ever since the death of Francisco Tárrega - b. 21 November 1852 in Villareal, d. 15 December 1909 in Barcelona - many publications have appeared bearing his name. Unfortunately, it is not always clear...
These 27 pieces introduce beginners to the literature of their instrument from four centuries and may serve as an addition to Schaller-Scheit's Guitar Tutor volumes 2 and 3. This volume includes compo...
The works and influence of Francisco Tárrega represent a milestone in the development of guitar technique. Alone the practical value of these pieces for technique, as well as their rich display of all...
Der letzte Satz aus der Partita Nr.2 BWV 1004 für Violine solo ist aufgrund seiner musikalischen Vielseitigkeit eines der meist transkribierten Werke der Musikgeschichte. Mit dieser Bearbeitung wird d...
Bearbeitet von Karl Scheit.
Aus der Lautentabulatur übertragen. Die Singstimme kann auch von einem Instrument ausgeführt werden.
Die beiden berühmten Versionen des Ave Maria , jeweils tief und hoch, mit Kapodaster insgesamt in 5 Tonarten spielbar, 2. Git. ad lib.
Particell und Gitarren-Stimme
