This remarkable edition combines the requisite Urtext scholarship with the insights of one the most revered Beethoven pianists of modern times, Claudio Arrau. Beethoven's own fingering is indicated, w...
Beethoven's three piano sonatas op. 2 were the first works in this genre to which he gave an opus number, thus signalling to the musical world the special importance that he assigned to them. He wrote...
Variation form occupied Beethoven throughout his composing career. This first volume of G. Henle Publishers' two-volume edition of all his piano variations includes works from Beethoven's time in Bonn...
The variation genre occupied Beethoven his whole artistic life. Collected in the second volume of G. Henle Publishers' complete edition of piano variations are compositions from his middle and later V...
The fantasy played a relatively small role in the piano music of Viennese Classicism. Beethoven's sole contribution is perfectly suited to its genre designation in that the work, written in 1809, prov...
Beethoven allegedly told his publisher Artaria, in connection with this Sonata, that 'Here you have a sonata that will be a hard nut to crack'. Indeed, the enormous dimensions of the work, which was s...
There are probably very few piano students who have not tried their hand at this piece; it is undeniably one of the most popular classical piano pieces today. And yet unanswered questions still remain...
Five famous sonatas by Beethoven - all bearing a popular epithet known the world over - are presented to advanced pianists in this attractive volume of selected works from the new three-volume Urtext...
The two Rondos op. 51 were written independently of one another and only later consolidated into a single opus by Beethoven's publisher. The first of these works from 1797 quickly became popular on ac...
Called 'Kurfürstensonaten' (Prince-Elector sonatas), these three sonatas were published in fall 1783. In the dedication - which was most certainly not formulated by Beethoven - one reads: 'Most lofty...
