This work for unaccompanied SATB choir is set to a poem by Gerard Manley Hopkins and was commissioned and introduced by the Paul Hill Chorale in 1996 and performed and recorded in November 2009 by Oct...
In the composer's words: 'God's Grandeur makes a companion piece to Pied Beauty, the first Gerard Manley Hopkins poem on ecstatic themes that I've set for choir. God's Grandeur read(s) like a scene-...
Composed for Craig Hella Johnson and Conspirare, the composer writes: Same Train, in many arrangements seems to sing of good news coming. But - maybe it was the relentlessness, the conclusiveness of...
“In its original scoring, this Overture to Lysistrata--drawn from its heroine's first cabaletta, its second lady's aria of longing, and the raucous finale of the first act--already saluted the wind or...
For soprano and piano.
For tenor and piano.
This aria is Lysia's cabaletta from Adamo's recent opera, Lysistrata. For soprano and piano.
This is Myrrhine's aria from Adamo's recent opera, Lysistrata. For mezzo-soprano and piano.
This is Leonidas's aria from Adamo's recent opera, Lysistrata. For bass-baritone and piano.
This is Kinesias's aria from Adamo's recent opera, Lysistrata. For baritone and piano.
Vocal sheet music.
Commissioned by the Houston Grand Opera for its Opera Studio, Mark Adamo's Little Women premiered on March 13, 1998. The opera's libretto (also written by Adamo and available for sale, HL50484155) ada...
For this opera in two acts, composer and librettist Mark Adamo revisits Louisa May Alcott's classic chronicle of growing up female in post-Civil War New England, focusing on the theme that even sincer...
