In all his projections - sonorous or metaphorical, spatial or dramatic - the voice accompanies Michaël Lévinas, starting in his early works. Les Réciproques, reduced to its twelve mixed voices without...
The title 'Les Lettres enlacées' (Intertwined Letters) refers to a style of writing based on two melody lines that overlap, pile up, cross over and finally return to a more or less parallel position....
The 'O' du Haut is composed of two madrigals set to two poems by Gerashim Luca, 'Triple' and 'Despair'.Encountering the poetry of Gerashim Luca was decisive during a particularly sensitive period conc...
on some music-box themes
bass flute in C sonorised
The three pieces of Diaclase (1993) for 'acoustic' brass quintet are a study in situ about the 'acoustical beats and space phenomena'. Three types of beats are successively 'studied': vertical in Caro...
The title Les Lettres enlaces (Intertwined Letters) refers to a style of writing based on two melody lines that overlap, pile up, cross over and finally return to a more or less parallel position. The...
Par-delà, a work for symphonic orchestra (without oboe or viola) composed in 1994, is the nodal point of Lévinas' creation. Indeed, it does make use of preceding 'studies': the joint bells and the mic...
Entente préalable, collective work from twelve composers (Michaël Jarrell: Incipit - François-Bernard Mâche: Vectigal Libens - Christian Lauba: Kupang - Fausto Romitelli: Chorus - Philippe Leroux: Rhe...
Appels (1974) brings together eleven musicians: single wind instruments (excepting the tuba), piano, 2 drummers and a double bass. The horn, 'often used in music to express calling out afar prayer and...
Bass and electroacoustic system / Score
voice, flute, horn, piano and magnetic band
