Michael Talbot
Henricus Albicastro
Leuven' Sonata in D minor
This unusually elaborate sonata, consisting of seven movements (or sections), survives uniquely in Leuven (Louvain), Belgium, where it forms part of the Di Martinelli family archive.
This unusually elaborate sonata, consisting of seven movements (or sections), survives uniquely in Leuven (Louvain), Belgium, where it forms part of the Di Martinelli family archive.
- Violin and Continuo
- Score and Parts
- Edition HH Limited
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Henricus Albicastro
Kilravock Sonata in A minor
A manuscript of this sonata was discovered in the collection of the Rose family, Lairds of Kilravock (near Inverness). Copied in a late 17th- or early 18th-century hand and inserted into a keyboard bo...
A manuscript of this sonata was discovered in the collection of the Rose family, Lairds of Kilravock (near Inverness). Copied in a late 17th- or early 18th-century hand and inserted into a keyboard bo...
- Violin and Continuo
- Score and Parts
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Johann Friedrich Schreivogel
Sonata in E flat major
Only a handful of Schreivogel's compositions for his instrument have survived. Among them is this sparkling three-movement sonata for violin and continuo in E flat major, evidently composed late in hi...
Only a handful of Schreivogel's compositions for his instrument have survived. Among them is this sparkling three-movement sonata for violin and continuo in E flat major, evidently composed late in hi...
- Violin and Continuo
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Maurice Greene
La Libertà
La Libertà is the most original, and among the most attractive, of Maurice Greene's secular vocal compositions on Italian texts. Strong circumstantial evidence indicates that he wrote it as a composit...
La Libertà is the most original, and among the most attractive, of Maurice Greene's secular vocal compositions on Italian texts. Strong circumstantial evidence indicates that he wrote it as a composit...
- Violin and Continuo
- Piano Score and Part(s)
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Antoine Favre
Six sonatas, volume 1 (Nos. 1-3)
In this first volume Sonata No. 1, in E minor, opens with a lively movement full of motivic play between violin and continuo. It continues with a fleet corrente-style movement, then a slow movement fo...
In this first volume Sonata No. 1, in E minor, opens with a lively movement full of motivic play between violin and continuo. It continues with a fleet corrente-style movement, then a slow movement fo...
- Violin and Continuo
- Sheet Music
- Schott Musik
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Antoine Favre (c.1670-c.1739) was a composer of rare ability whose few surviving collections, all published during the 1730s, have hitherto remained unknown not only to performers but also to the majo...
Antoine Favre (c.1670-c.1739) was a composer of rare ability whose few surviving collections, all published during the 1730s, have hitherto remained unknown not only to performers but also to the majo...
- Violin and Continuo
- Score
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Diogenio Bigaglia
Three 'Dresden' Sonatas
The sonatas of the Venetian composer and priest Diogenio Bigaglia (c.1676-c.1745) have long found favour among recorder players in particular. This group of three sonatas for violin (or alternative tr...
The sonatas of the Venetian composer and priest Diogenio Bigaglia (c.1676-c.1745) have long found favour among recorder players in particular. This group of three sonatas for violin (or alternative tr...
- Violin and Continuo
- Score and Parts
- Schott Musik
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Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic ‘trademarks' - the use of end-rhyme throughout the recitative stanzas (i.e....
Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic ‘trademarks' - the use of end-rhyme throughout the recitative stanzas (i.e....
- Low Voice and Continuo
- Sheet Music
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Both cantatas are typical specimens of Albinoni's style. The little flourishes of conjunct demisemiquavers seen in bar 13 of the opening aria of Vorrei che lo sapessi and bar 14 of that of Senza il co...
Both cantatas are typical specimens of Albinoni's style. The little flourishes of conjunct demisemiquavers seen in bar 13 of the opening aria of Vorrei che lo sapessi and bar 14 of that of Senza il co...
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- Sheet Music
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- High Voice and Continuo
- Sheet Music
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