Transcribed from her 'Unforgettable' album, here is Natalie Cole's up tempo, hard swinging version of Almost Like Being In Love. This chart really kicks from start to finish, and is full of power and...
Originally arranged by Sy Oliver for the Jimmie Lunceford band, the same arrangement was used by Oliver when he led his own orchestra. Our transcription has been done using both recordings as referenc...
Corner Pocket was written by the unsung hero of the Count Basie band, Freddie Green, and it's title is a reference to the place that Green called his own - the corner pocket of the rhythm section. We...
'Moonlight Serenade' was Glenn Miller's most famous composition, served as the theme tune for his band and is probably the definitive example of the 'Miller' sound - tightly scored Clarinet-led reeds...
Here is the Andrews Sisters' version of Bei mir bist du schön (pronounced 'shane'), and it is one of their most famous and popular songs. This chart includes the opening verse, with the Clarinet solo...
Don't Sit Under the Apple Tree was another of the Andrews Sisters big hits and sold very well, despite the success that the Glenn Miller band achieved with the same tune. The chart opens with a half t...
Here is another original Helen O'Connell chart as played by her on her many concert tours. This is not a transcription. To the best of our knowledge this cart was not commercially recorded, hence ther...
Big Spender was written by Cy Coleman & Dorothy Fields for the 1966 musical 'Sweet Charity'. Peggy Lee's version was the original 'pop' version of the tune and set the standard that other artists, suc...
Transcribed from her 'Unforgettable' album, here is Natalie Cole's stylish rendition of the Rodgers and Hart tune, This Can't Be Love. This chart swings like crazy from start to finish and moves smoot...
Here is our transcription of Ray Anthony's take on the Gershwins' classic tune, Someone To Watch Over Me, as played on his 1994 Dream Dancing II album. The only change we have made from the original i...
