Johannes Ockeghem wrote this haunting and expressive canon over 500 years ago, yet Patrick Liebergen's arrangement makes it sound as fresh as if it were written yesterday. May be performed with an anc...
Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...
Look no further for a masterwork from the Classical period that your SAB or SSA choir can learn in a hurry. Patrick Liebergen has taken this joyous Henry Purcell work and skillfully adapted it for dev...
This piece can be programmed year round or at the holidays when you use the optional 'Sing We Nowell' text. Lovely for treble choirs in two or three parts. Patrick Liebergen has captured the strengths...
From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...
This familiar German madrigal is a solid study of early Baroque singing for SSA choirs. The light 3/4 'in one' feel provides a steady lilt for clear treble sonorities. Sing in English or German (a com...
This well-prepared edition of Thomas Morley's 16th century madrigal may be performed a cappella or with the supportive keyboard accompaniment. Resounding homophonic phrases alternate with 'fa la la' p...
This joyful chorus concludes the second act of Gluck's mythological opera, as Orfeo and Euridice are reunited. The 3/4 lilt and ringing sonorities work especially well for SSA choirs.
This balletti from the Renaissance period should be performed lightly and energetically. Three-part choirs of any gender may choose to sing in Italian or English, a cappella or accompanied.
This classical opera chorus is performed at the end of Mozart's Mitridate by five leading characters who pledge freedom for their country. An optional English text is printed in the octavo, or a phone...
