Neuausgabe nach den Quellen von Reinhold Kubik - Soli, Chor, Orchester.
New Critical Edition from the Internationalen Gustav Mahler Gesellschaft, Vienna
The performance material is derived from the scholarly-critical editions of the 'Das Erbe deutscher Musik'' series, on which the informative Preface and Critical Report were based. The new piano-vocal...
The work is based on poems written by the composer and was completed in 1880. It consisted of three movements which bore the following titles: Waldmärchen (A Tale from the Woods), Der Spielmann (The M...
Für Soli: Sopran, Alt, Tenor, Bass, Chor SATB und Orchester Text der Gesamtausgabe herausgegeben von Reinhold Kubik
The Missa Dei Patris ZWV 19 was composed in 1740 and ranks among the later works of the Bohemian composer Jan Dismas Zelenka. It opens an incompletely transmitted cycle of six masses which the compose...
In his preface to the new critical edition of the 'Seventh Symphony', Dr. Reinhold Kubik (editor and vice-president of the International Gustav Mahler Society) reflects on the reception of Mahler and...
This new edition incorporates the musicological findings of Jerry Bruck, sponsored by Gilbert Kaplan. Possibly the most important amongst many new discoveries in this new edition is the establishment...
New edition based on original sources by Reinhold Kubik
'Titan', the early five-movement version of the 'Symphony No. 1', has never been published before. Universal Edition is proud to make this score available for the first time in connection with the Com...
Das Klagende Lied is based on poems written by the composer and was completed in 1880. It originally consisted of three movements which bore the following titles: Waldmärchen (A Tale from the Woods),...
Für Soli: Sopran, Alt, Tenor, Bariton, Knabensopran, Knabenalt, Chor SATB, großes Orchester und Fernorchester.
Titan, the early five-movement version of the Symphony No. 1, has never been published before. Universal Edition is proud to make this score available for the first time in connection with the Complet...
Die Missa Dei Patris ZWV 19 entstand 1740 und gehört damit zum Spätwerk des böhmischen Komponisten Jan Dismas Zelenka. Sie eröffnet einen unvollendet überlieferten Zyklus von sechs Messen, die der Kom...
The performance material is derived from the scholarly-critical editions of the 'Das Erbe deutscher Musik'' series, on which the informative Preface and Critical Report were based.
Hallische Händel-Ausgabe. Serie II, Band 29 Sopran solo, Alt solo, Mezzosopran solo (3), Bass solo (2), Flöte, Oboe (2), Fagott, Horn (2), Violine (2), Viola, Bassi (Cello, Kontrabass, Fagott, Erzlaut...
Carl Loewe ist heute fast nur noch für seine Balladen bekannt, doch komponierte er ganz nahe am Puls seiner Zeit auch für die Laienchöre, die gerade in der Biedermeier-Zeit so zahlreich entstanden, et...
Entstehung in der späteren Schaffenszeit um 1740
Chorsatz Nr. 3 aus 'Der Messias' - Coro SATB, Org - Orgelauszug
Stimmen im Set: 6x Violine 1; 5x Violine 2; 4x Viola; 5x Violoncello
The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name.
Également inclus dans le set
The cantata 'Eternity, O awesome word' BWV 60, which belongs to Bachs first Leipzig annual cycle and was written for the 24th Sunday after Trinity Sunday, is one of Bachs few dialog cantatas. It deals...
The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed.
Für diese Choralkantate übernahm Bach die 1, 4 und 7 Strophe des gleichnamigen Chorals von Georg Neumark. Die anderen Strophen sind dagegen mit freien Nachdichtungen vermischt worden.
In 1726 Johann Sebastian Bach performed a series of cantatas by his Meiningen cousin Johann Ludwig, then continued this series with his own works, but remained faithful to the textual models used his...
La cantate Ich glaube, lieber Herr, hilf meinem Unglauben BWV 109 (Je crois, cher Seigneur), composée pour le 21e dimanche après la Trinité 1723, est caractérisée par un dialogue entre foi et incrédul...
La cantate Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei BWV 179 (Veille à ce que ta crainte de Dieu ne soit pas hypocrisie) commence par un choeur dans le stile antico du motet sans instrumen...
Une date autographe (rare, 14 juillet 1715) confirme la destination de la cantate Barmherziges Herze der ewigen Liebe (Coeur miséricordieux de l'amour éternel) pour le 4e dimanche après la Trinité 171...
liturgical intention unknown
Die Kantate 'Der Herr ist mein Hirte' stammt aus dem Jahr 1731 und war offenbar als Ergänzung zum Choralkantatenjahrgang bestimmt, den Bach Ostern 1725 unvollendet abbrach. Bach hat die fünfstrophige...
Coro SATB, 3 Tr, Timp, Org
