In Georg Philipp Telemann’s opera “Orpheus”, the focus is not on Eurydice, but on Queen Orasia, who is inflamed with mad but unrequited love for the legendary singer. The first documented performance...
For the first time, examples of church music from Telemann's late creative period, which arguably is marked above all by the great concert oratorios, have been edited and are presented in the “Teleman...
The Wiener Urtext edition of Telemann's Fantasies is based on the first print published by the composer himself. The few obvious mistakes in the music have been corrected. In the critical notes the ed...
Das Erbe deutscher Musik‘ (The Heritage of German Music) continues the tradition of the various German Denkmäler series. It publishes important works from the history of German music in editions...
Sämtliche Vokalwerke, Band 10.
Ein Lämmlein geht und trägt die Schuld. Sopran solo (2), Alt solo, Tenor solo (3), Bass solo (3), Gemischter Chor-SATB, Klavier, Streicher, Basso continuo - Klavierauszug; Urtextausgabe Chorwerke mit...
Gesamtausgabe, Partitur (Leinen)
Mit der Kapitänsmusik aus dem Jahr 1755 liegt innerhalb der Telemann-Ausgabe ein weiteres der neun vollständig erhaltenen Werke der spezifisch hamburgischen Gattung ediert vor, zu der Telemann insgesa...
'Charming Berenice' - the Earl of Shaftesbury attended a rehearsal of the opera on 12 May 1737 and went into raptures about this 'inexpressible delight'. 'Berenice' was premiered at Covent Garden Thea...
Generalbass-Aussetzung: Wolfgang Hirschmann
