In keeping with the victorious mood, Handel often splits the chorus into five voices (with divided sopranos) for passages of pure homophony. When the choir declaim as one, the effect is of joyful celebration. To start each phrase on the right note, it is essential to be familiar with the orchestral interludes. The cantabile movements, such as No. 3, can be particularly tricky to perform: The vocal leaps in these demanding choral-soprano sections become much easier if you can hear the underlying harmonies while practicing. The same is true for No. 5.

The Carus Choir Coach offers choir singers the unique opportunity to study and learn their own, individual choral parts within the context of the sound of the entire choir and orchestra. For every vocal range a download containing each choir part is available. The Carus Choir Coach is based on recorded interpretations by renowned artists who have performed the work from carefully prepared Carus Urtext editions. Each choir part is presented in three different versions:

> Original recording
> Coach: each part is accompanied by the piano, with the original recording sounding in the background
> Coach in slow mode: the tempo of the coach slows down to 70% of the original version - through this reduction passages can be learned more effectively.

Performers: Dorothee Mields (soprano), Ulrike Andersen (alto), Mark Wilde (tenore), Chris Dixon (basso) - Alsfelder Vokalensemble, Concerto Polacco - Wolfgang Helbich