Gedanken über die Zeit

aus: Sonne, Mond und Sterne

incl. tax, excl. shipping costs
ships within 2-4 working days

Peter Schindler

Gedanken über die Zeit

aus: Sonne, Mond und Sterne

Demo listen PDF view

Peter Schindler

Gedanken über die Zeit

aus: Sonne, Mond und Sterne

  • Instrumentation Mixed Choir (SATB) and Piano
  • Composer Peter Schindler
  • Edition Piano Score
  • Publisher Carus-Verlag
  • Order no. CV09266-20
ships within 2-4 working days
incl. tax, excl. shipping costs
  • Volume scale:
  • from 40 pcs 3,56 €
  • from 60 pcs 3,16 €
Minimum Order Quantity: 20 piece
  • Credit Card
  • Invoice
  • PayPal
  • Sepa

Not available in all countries. Learn more

Description:

  • Language: German
  • Pages: 4
  • Release: 26.01.2022
  • Term: 3:00
  • Dimensions: 210 x 297 mm
  • Weight: 12 g
  • Genre: Classical Music, Classical Music of the Modern Age
  • Accompaniment: Piano
  • ISMN: 9790007295592
Peter Schindler's full-length secular choral work Sonne, Mond und Sterne (Sun, Moon and Stars) narrates a love story based on 'old' texts which are given a new interpretation through these musical settings. Some individual numbers were published in spring, and now more movements with piano accompaniment are available in print and digitally.

choral work of medium difficulty
will appeal to experienced Brahms Requiem singers as well as ambitious chamber or youth choirs with a gospel, pop or jazz background
cross-over between jazz, chanson, and chamber music

Peter Schindler about Gedanken über die Zeit:
Paul Fleming was one of the most important lyric poets in German Baroque literature. He wrote his poem Gedanken über die Zeit in his early twenties; it was first published in 1634 as an epitaph. All the nuances of the concept of time are artistically contrasted, and the motif 'Zeit' (time) is explored and played with in a dialectical manner.

The male voices begin in unison at an andante maestoso tempo, followed by a leisurely progress in homophonic writing in a slightly freer rhythm. A lively middle section follows which leads into the opening motif again in the last section. The third section contains a fugue, and the end is unison once again. And so the words are like a manifesto by the poet.