The SATB setting of Non Nobis Domine has become one of Rosephanye Powell's most celebrated works. The driving energy and ostinato rhythms are classic elements from Rosephanye's pen. Her husband Willia...
Here's a classical organ collection with 'everything you've always wanted to play for a wedding. ' These most-often requested pieces are conveniently compiled in one spiral-bound collection, and edite...
Jack Halloran's arrangement of Witness is a bestseller! Dick Bolks has revoiced it for every other possibility, so it was high time the male chorus edition completes the options. Great for high school...
Stacey brings his own creative magic to this classic spiritual. A driving rhythm coupled with tantalizing harmonies make this male chorus arrangement sound new and captivating. Excellent for concert a...
Halloran's setting of this spiritual has long been established as the definitive arrangement. Dick Bolks has revoiced it for SSAA choir and included an accompaniment. Jack's classic edition rings thro...
There are so many great things to exalt with Burchard's new Missa Brevis. Set consistently for 4 part voices, we are blessed with Richard's signature harmonies but accessible to small choirs _ includi...
Memley celebrates the Native American culture with an exquisite triptych of poems and song called Three Native American Settings. The original music is consumed with the sounds of the Native American...
A Lithuanian sutartine is the basis of this creative arrangement selected for the Bruce Rogers series. Beginning with foot stomps and hand claps, an energy is established immediately. The tune is an e...
Witness (1986) was first released in an a cappella setting for 8-part mixed voices, and within months had sold over 30, 000 copies. The following year it topped 50, 000 and continued to climb. Today i...
Last year Dick Bolks delighted small choirs everywhere when he took the extremely popular SSAATTBB setting of Halloran's Witness and created a strict 4-part (SATB) setting with optional accompaniment....
This work is pure magic! Short rhythmic phrases, repeating and building on top of one another, contrasting sections, a dynamic and rewarding conclusion. The traditional Latin text makes it appropriate...
2014 marks the 200th anniversary of the writing of Francis Scott Key's piece that became our National Anthem. Tim Sharp, Executive Director of ACDA saw an opportunity for choirs all across America to...
Stacey knows how to bring the most out of a spiritual - his arrangements are captivating and fresh. This one is particularly enjoyable, beginning freely then rocking from side to side, quieting down a...
Witness was first released in an a cappella setting for 8-part mixed voices, and within months had sold over 30, 000 copies. The following year it topped 50, 000 and continued to climb. Today it remai...
A contemporary selection, it features extensive pedal work, as well as exciting use of rhythms and brilliant organ colors. Rhumba is an excellent piece for the advanced organist and makes a great conc...
Written in the French organ/ toccata style (in the style of Mulet's Thou Art the Rock), this is a joyful setting of a popular Christmas classic. While not easy, this piece is not outside the reach of...
Serious organists will welcome this new work from one of America's foremost contemporary writers. Recipient of the Fullbright Scholarship for music composition, David Carlson adds to several important...
Selected for the Georgia Music Educator's Association High School All State Men's Chorus in 2016, Richard Burchard has composed a sensitive and touching melody to this famous 19th century text. The ha...
Commissioned for the University of South Carolina Men's Chorus, Kevin Memley has beautifully revoiced the SATB setting released in 2014 (JG2445). Kevin's original music is consumed with the sounds of...
How is it possible to keep a spiritual favorite rooted in the past but sound so new? In this arena, Stacey Gibbs is the master. This energetic arrangement was premiered at the ACDA National Convention...
This is another fabulous piece by Stacey Gibbs, perhaps the current and foremost arranger of Spirituals. It is primarily written for 4-part male voices but does break into some divisi near the end. So...
Good news for male choruses, this setting by Stacey Gibbs never expands to divisi voices as he so often does. OK, there are a few chords near the end, but that's it. That means this joyful Spiritual c...
