Symphonic Adiemus presents twelve numbers from the Adiemus series in dynamic new scorings for SATB choir and full symphony orchestra. Since it was first heard in 1994, Adiemus has captured the imagina...
Motets is a set of intimate and spiritually uplifting a cappella choral works by Karl Jenkins, featuring new pieces and arrangements of a selection of movements from his most popular works, including...
Setting of a prayer by Mother Cornelia Connelly, foundress of the Society of the Holy Child Jesus in 1846 and latterly Mayfield School. In 1863 she was inspired to transform the ruins of the Old Palac...
In its original scoring for mixed voices MacMillan's The Gallant Weaver has become a favourite; this arrangement now extends the setting to upper voices. Paul Spicer comments, 'This ideal introduction...
The original version of Flight Song (for SATB) was written as a gift to Dr Anton Armstrong and the St Olaf Choir, Minnesota, with whom Arnesen has worked on a number of occasions. The SSAA version was...
This is an approachable and affecting setting of a devotional poem by the revered Carmelite nun St Thérèse of Lisieux (1873-97). The choral writing, marked ‘placid’, comprises simple four-part homopho...
I denna ljuva sommartid (In this sweet summertime) is a well-known traditional summer psalm in Sweden. The text is of German origin, written in 1653 by Paul Gerhardt (1607-76) (‘Geh aus, mein Herz, un...
Setting of the traditional vesper hymn ('Hail, O Star of the ocean'), commissioned by Christopher Gray and the Choir of Truro Cathedral. The texture is homophonic and sustained, with much use of pedal...
This setting was written as the 4th movement of Todd's 2009 Te Deum which was commissioned by the Vivace Chorus. Todd's jazz background is evident in this approachable but effective setting of the fam...
This new publication makes the Benedictus available for performance as a separate work, with piano accompaniment. The score includes the iconic introductory cello solo part on its own page, although p...
Adapted from a movement of Arnesen's Stabat Mater for upper voices and orchestra, Eja Mater is arranged for mixed voices with frequent divisi, obligato cello and harp (or piano). This part of the Stab...
Composer’s note This piece is an adaptation of the instrumental movement ‘Reflection’ in my large-scale work The Stranger. I was inspired by research showing the emotional effect of having eye contact...
