Judith Weir's Good Morning, Midnight was commissioned by Wigmore Hall and was first performed on 6th June 2015 at the Wigmore Hall in London. The work is arranged for Mezzo-Soprano and Chamber Ensembl...
This song is from a projected musical film created by director/writer Margaret Constantas. On the Wentloog Levels near Cardiff, two artisan shoemakers, husband and wife, have fallen on hard times. The...
A short setting of Shakespeare's sonnet 116, Let me not to the marriage of true minds, for baritone and piano, first performed in Smithfield in July 2017.
Version for Mezzo-soprano. Composed for the 11th International Chamber Music Competition "Franz Schubert and Modern Music", On White Meadows is a setting in English of five short verses from Wilhelm M...
Version for Soprano or Tenor. Composed for the 11th International Chamber Music Competition "Franz Schubert and Modern Music", On White Meadows is a setting in English of five short verses from Wilhel...
Version for Baritone. Composed for the 11th International Chamber Music Competition "Franz Schubert and Modern Music", On White Meadows is a setting in English of five short verses from Wilhelm Müller...
Version for Bass. Composed for the 11th International Chamber Music Competition "Franz Schubert and Modern Music", On White Meadows is a setting in English of five short verses from Wilhelm Müller's D...
Commissioned in 2014 by Welsh National Opera, Ffilm Cymru Wales and The Space as part of WMO's Occupation: Five songs that shook the world, directed by Margaret Constantas.
Judith Weir's work is often inspired by narrative, folklore and theatre. This creepy-crawly work was inspired by the novel Die Schwarze Spinne by Jeremias Gotthelf, a tale about an evil, venomous spid...
Grand opera in three acts for unaccompanied solo soprano singing eight roles. This work was commissioned by Jane Manning, and first performed by her 17 May 1979. Duration: c. 10 minutes.
