This haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's gorgeous. And the harmonies are lush, and unexpected for a 16th century piece. The voice...
Mozart's Dies irae has been transposed down a major second from the original. Scored originally for S. A. T. B. voices with an accompaniment of basset horns (alto clarinets), bassoons, trumpets, timpa...
The call and response tradition of Caribbean folk music is the basis for this infectious, cheery carol. Once the congregation hears the energetic beat from the accompaniment, they won't be able to sit...
For Unison or Two-Part Treble Voices with Keyboard Accompaniment and Optional Two Flutes Edited and simplified for the young voice, Patrick Liebergen has provided an excessable version of the 1st sect...
Liebergen has craftily arranged and combined two beloved carol favorites with Psallite and In Dulci Jubilo. Whether performed a cappella or with the optional piano accompaniment, this joyful and inter...
This work written in 1805 by Michael Haydn is an excellent introduction to classical style for treble ensembles. Ideal for contest or concert, the work calls for legato lines and expressive singing an...
Antonin Dvorak was especially successful at incorporating the folk tunes of his homeland. Dyby Byla, one of his first duets based on a Moravian folk song, is brisk, short, and delightfully fun to sing...
Canons are invaluable resources for teaching and reinforcing part-singing and this tuneful a cappella canon arranged by Patrick Liebergen is no exception. Highly recommended as an introduction to a ca...
Patrick Liebergen, well known for his arrangements of historically important works, presents Arcadelt's Renaissance chanson for SSA voices. Typical of chansons, it is chordal in style and very accessi...
SSA And Keyboard Or Opt. A cappella And Opt. Flute And Hand Drum ?Ah!, ? is certainly the way to describe this enchanting piece. In both the musical arrangement and the editorial, educational notes p...
Mozart lovers take heed - here is a modern edition of the joyful finale from The Magic Flute that presents many great teaching opportunities. Whether sung in English or German, this scholarly adaptati...
An excellent edition by Patrick M. Liebergen of a movement from a charming early Mozart mass, (Messe-Credo, K. 257) this Gloria is full of energy and drive. Both versions of the piece can be easily ta...
Ah!, is certainly the way to describe this enchanting piece. In both the musical arrangement and the editorial, educational notes provided, Pat is at his best in this wonderful selection. English madr...
This collection of 10 masterwork duets from the Renaissance through the Romantic Era offers outstanding vocal repertoire. Dr. Liebergen provides extensive performance information for each of these cla...
Compiled, edited, and arranged by Patrick M. Liebergen, A Soprano's Duet Book features ten masterwork duets that represent a wide range of styles and composers from the Baroque, Classical, and Romanti...
A lovely treble chorus from one of Mozart's most popular operas in a new user-friendly edition. An optional English text is included in the publication.
The newest addition to our Alfred Vocal catalog, Singer's Library of Song features 37 of the world's best-loved songs from the Medieval era though the 20th Century, presented with historical informati...
Orlando di Lasso's tuneful villanelle is set here for TBB voices with details that suit the young male voice. The Italian text is accompanied by an optional English text, it is shorter in length than...
Now available for men's voices, the haunting melody of this top-seller has been recorded by everyone from Charlotte Church to Andrea Bocelli, and no wonder: it's gorgeous. The harmonies are lush and u...
What a unique love-song set for the guys! These two English madrigals may be sung a cappella or with the piano, or you may choose to add the optional cello on the second piece. A gentleman's touch of...
This balletti from the Renaissance period should be performed lightly and energetically. Three-part choirs of any gender may choose to sing in Italian or English, a cappella or accompanied.
Perform this buoyant Italian madrigal a cappella or accompanied by the optional piano, hand drum, and finger cymbals. The Baroque harmonies are easy to read and tune, and the 3-part mixed/SAB voicing...
From master composer Antonio Vivaldi's Laetatus Sum (a setting of Psalm 121), this edition brings the brief work to today's choirs. Featuring an accessible Latin text and a lively optional cello part,...
This accessible 2-part anthem combines Johann Cruger's Now Thank We All Our God with new music for Pierpoint's text For the Beauty of the Earth. May be used for any service as an offering of thanksgiv...
Patrick Liebergen is a master editor and arranger that here has capably taken the Charpentier work and provided an accessible piece for church or school. Scored for 2-part (any combination) with piano...
Selected from Vivaldi's opera, La Fida Ninfa, this 2-part arrangement with a music-themed text is joyous and rhythmic. The work consists of simple part-reading and uses repetition for easy learning an...
A masterful choral fanfare! With a general worship verse, as well as both a Christmas and an Easter verse, it's also a fanfare for all seasons! Adapted from Handel's Coronation Anthem No. 1, Zadok the...
The optional trumpet and timpani parts (available on the SoundPax and SoundTrax CD) and a brief vocal trio make this majestic Charpentier chorus stand out from the rest of your masterwork repertoire....
a second choir, a small group of voices, a brass quartet, or solo trumpet. A powerful, yet not-too-difficult oratorio chorus. Includes part for two brass quartets.
In the 1660s, Molière and Lully developed the comédie-ballet. This new comedic style included spoken dialogue in addition to dances, airs, and choruses. In this ballet, 'Bon Dì' is sung by two Italian...
Tuneful legato lines, an original text featuring both Latin and English words, and music from master composer J. S. Bach combine to form a lovely piece for treble choirs. Contrasting melodies pair at...
O Sing Out with Pleasure is found in a section of Handel's Italian duet ''Langue, Geme e Sospira'' and is arranged for two-part treble choir by Patrick Liebergen. This very joyous work should be sung...
This energetic setting of a tuneful, Israeli folk song, A Joyful Israeli Canon is wonderful for teaching syncopated rhythms, independent/unison singing as well as part singing, intonation and rhythmic...
From a singspiel, written when Mendelssohn was 15 years old, this charming treble chorus will give singers the chance to experience authentic 19th century music. Elegant and expressive, with two optio...
Now available in SAB and SSA voicings, this exuberant Schubert piece begins with joyous acclamations in the opening measures, polyphonic writing and a lyrical presentation of the amens then followed b...
This energetic and rhythmic 16th-century piece is an excellent introduction to the music of the Renaissance. Includes secular or Christmas lyrics and optional hand drum. Available: SAB a cappella, SSA...
Feature a solo or small ensemble at the start of this Classical era arrangement by Patrick Liebergen. Optional English text is provided as well as two flute parts. Performance Time: Approx. 2:05
The English Renaissance composer Thomas Weelkes gave us the madrigal 'Welcome Sweet Pleasure' in 1598 as an SSATB score. Patrick Liebergen has edited and arranged this wonderful work into an SSA chora...
An exuberant chorus by Gluck found in the Second Act of his opera Alceste is set here for SSA voices with additional dynamics and optional English words added by the arranger. This joyous and tuneful...
A classic choral work from the oratorio 'Saul' by Handel, carefully edited and arranged exclusively for treble voices by Patrick Liebergen. New secular text by the arranger makes it ideal for the scho...
Superb edition for today's choir of a work from Schubert's famous 'Mass in G' (1815). This largely homophonic work remains at a constant tempo throughout and includes only one simple, brief contrapunt...
Treble voice masterwork edition written by Purcell in 1683 to honor England's King Charles II. Two optional flutes. Plenty of repetition makes for quick learning.
This particular edition is a pleasure to sing and the skillful contemporary edition makes it easy to read. And, with the new SSA edition, treble voice choirs can also perform this eighteenth century m...
Patrick Liebergen has skillfully arranged this light, energetic Purcell masterwork in editions for today's SSA and 2-part treble choral groups. It's an excellent concert or festival work with solid pa...
Here's a no-nonsense choral masterwork from the Renaissance era skillfully edited and arranged for SSA voices by Patrick Liebergen. It's canonic in nature, with a strong melody which is echoed by all...
Johannes Ockeghem wrote this haunting and expressive canon over 500 years ago, yet Patrick Liebergen's arrangement makes it sound as fresh as if it were written yesterday. May be performed with an anc...
Patrick Liebergen has taken a delightful chanson by Jacques Arcadelt and adapted it for contemporary singers while retaining the essential Renaissance feel of the work. Moderate ranges. An optional pi...
Look no further for a masterwork from the Classical period that your SAB or SSA choir can learn in a hurry. Patrick Liebergen has taken this joyous Henry Purcell work and skillfully adapted it for dev...
This piece can be programmed year round or at the holidays when you use the optional 'Sing We Nowell' text. Lovely for treble choirs in two or three parts. Patrick Liebergen has captured the strengths...
From the third act of Vivaldi's opera La Fida Ninfa, this triumphant chorus in 3/4 is built upon solid 3-part choral writing. An optional flute duet, timpani part, and featured small ensemble in the B...
This familiar German madrigal is a solid study of early Baroque singing for SSA choirs. The light 3/4 'in one' feel provides a steady lilt for clear treble sonorities. Sing in English or German (a com...
This well-prepared edition of Thomas Morley's 16th century madrigal may be performed a cappella or with the supportive keyboard accompaniment. Resounding homophonic phrases alternate with 'fa la la' p...
This joyful chorus concludes the second act of Gluck's mythological opera, as Orfeo and Euridice are reunited. The 3/4 lilt and ringing sonorities work especially well for SSA choirs.
This classical opera chorus is performed at the end of Mozart's Mitridate by five leading characters who pledge freedom for their country. An optional English text is printed in the octavo, or a phone...
A refreshing change of pace for SSA choirs. Dvorák's melody, inspired by the folk music of Moravia, delights the ear, and Dr. Liebergen's English text tells a whimsical love story. A fulfilling experi...
Caccini's haunting melody has been recorded by everyone from Charlotte Church to Andrea Bocelli and no wonder: it's simply gorgeous. Now available for SSA groups, this tasteful arrangement allows the...
From the French opera Armide comes this joyous chorus for women's voices. Distinctly Baroque, Dr. Liebergen's SSA arrangement includes a brief instrumental introduction, optional parts for two flutes...
Lilting and light, the contrasting sections of this 16th century Italian madrigal provide an ideal introduction to this important musical style. Whether you enjoy singing a cappella or with piano, con...
Enjoy this lighthearted Renaissance-era madrigal highlighting resonant treble sonorities, terraced dynamics, and accessible homophonic voice parts. Consider adding the optional piano accompaniment, op...
This lovely arrangement of a brief, but artfully crafted movement from one of Mozart's masterworks is highly recommended for intermediate singers. With only a short phrase in Latin to learn, plenty of...
Introduce your choir to one of Mozart's most enduring masterworks! Arranger Patrick Liebergen has sensibly adapted the original material into multiple voicings that stay true to the original, while al...
A warm adagio introduction breaks into a joyous 'Hosanna' chorus in this 44-measure homophonic masterwork. Taken from Schubert's Mass No. 4, this edition offers sensible vocal ranges, editorial dynami...
Joy instantly abounds as the well-edited keyboard introduction sets the tone for this impressive, yet approachable Baroque selection - the first movement of Vivaldi's masterwork of the same name. Chor...
Patrick Liebergen provides us with a very singable edition of this Mozart masterpiece from Missa Brevis. Both Latin and English texts are provided. Add the optional flute part to enhance your performa...
From Mozart's Missa Brevis In F, Patrick Liebergen brings us this very performable edition. Wonderful ensemble sounds abound and the accompaniment provides active support.
This lesser-known Masterwork is refashioned for optimal flexibility in a joyful offering. Alive with an exuberant classical style, the octavo includes a dual text for both Palm Sunday and Easter celeb...
Light and joyous Pierre Certon madrigal arranged for SAB voices and perfect for concert, contest or festival. Limited lyric creates ease in learning and performing the French text. Phonetic pronunciat...
A perfect piece to introduce madrigal style. Easy ranges; voices may be doubled by instruments. Available: SAB a cappella. Performance Time: Approx. :50.
A Handel anthem and joyful new English lyrics combine to form an accessible and appealing selection for young choirs. Available: SAB. Performance Time: Approx. 1:35.
A Mozart Missa Brevis is the source of this short but substantial setting for developing mixed choirs. An excellent introduction to classical style. Available: SAB. Performance Time: Approx. 1:00.
Introduce your developing choir to the music of the classical era with this work by Michael Haydn. Optional trumpet adds to the festive nature of this setting. Available: 3-Part Mixed. Performance Tim...
From the final portion from the Gloria of Lotti's Studentenmesse, this is a beautiful example of his use of imitation and makes an excellent choice for contest or festival. Discovery Level 2. Availabl...
Discovery Level 2 Introduce your younger choirs to Baroque style with this short and festive selection adapted from a larger work by English composer Henry Purcell. Featuring a pair of flutes, the rhy...
This movement from Salieri's Mass in D opens with a forte maestoso introduction and then goes into a bright 3/4 allegro con spirito. An excellent introduction to the Classical era for high school chor...
From Magnificat by Giovanni Battista Pergolesi, this canticle of the Blessed Virgin Mary text is wonderfully set. Carefully edited by Patrick Liebergen, this piece is excellent for advanced SATB group...
Originally scored for SSATB voices and instruments, this new edition for SATB voices uses a very supportive keyboard accompaniment. Based on Psalm 70, Pergolisi wrote it for the feast day of Saint Emi...
Taken from Mozart's Missa Solemnis, K. 337, this mass was Mozart's last completed work in this form. Modern clefs, metronomic and dynamic indications and an English version of the original Latin text...
Franz Joseph Haydn's Little Organ Mass is a departure from the larger, more fully orchestrated works of the 18th century. Written to be performed in a small chapel, this meditative setting is appropri...
Banchieri's Baroque madrigal was originally composed for SSATB a cappella voices. This new edition for SAB voices has been transposed down a step and includes optional parts for flute, cello and keybo...
Here's a very creative pairing of Dona Nobis Pacem and a favorite American folk hymn. Perfect for Pentecost, the text is worshipful and beautifully blends with a gentle melody and harmonies. The flute...
