Transcribed by Trent Kynaston
The composer transcribed Aria from his Suite in A minor, op. 103a for several instruments. So, why not for saxophone?
The original keys have been adjusted here to fit the range of the saxophones. The linear counterpoint that marks the style of the pieces makes use of numerous compositional devices ranging from free i...
Since the first publication of these suites in 1825, there have been numerous editions and arrangements of these pieces.
Each sonata is written in a three movement form (fast-slow-fast), and are equally successful and satisfying when played by any two instruments of matching pitch.Editorial metronome markings, articulat...
A professor of jazz studies at Western Michigan University, Kynaston lays a foundation necessary before the saxophone student can venture very far into jazz. Scales, arpeggios, tonguing, and playing i...
Includes Inventions No. 1, 3, 4, 5, 6, 8, 9, and 10.
The Fugue predates Debussy's mature impressionistic style but is none the less a beautiful piece of music and perfectly suited to the saxophone quartet, its organ qualities notwithstanding.
