Sonata X: B minor, Sonata XI: G minor, Sonata XII: G major.
Fasch proves himself to be an outstanding contrapuntalist in his instrumental pieces, which, although still rooted in the Baroque, in their essence as transitional works, and without abandoning polyph...
The aim of our present edition of the third Trio Sonata for organ, BWV 527, for treble recorder and obligato harpsichord is to make one of Johann Sebastian BachÉs chamber music works accessible to rec...
In the second collection of his sonatas, Blavet proves himself to be a European composer, combining French elements with Italian virtuosity and even seeming to know the type of the dei-movement 'Pruss...
Legrenzi's polyphonic chamber sonatas are not only captivating because of their contrapuntal facture, they take us into a new age of 'dramatic melody'.
Legrenzi's music-historical significance culminates in the fusion of the vocal voices with the concertante instruments. We also encounter the 'dramatic' melody in the chamber sonatas.
Legrenzi is considered an innovator of instrumental music. The transformation away from the 'style alla Palestrina' to the 'Concerto die Messa' is characteristic of the detachment from the dominance o...
Edited from the sources and with a realization of the continuo.
