It is not often that previously unknown instrumental compositions by Albinoni (1671-1751) turn up, but Michael Talbot recently found two violin sonatas - one from the very start of his career and the...
Apostroph is solo music of rare intensity.
Unlike many of Eberl's lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op.14 shares much of the musical ambitio...
Among Vienna's many composers and pianists of the time, Anton Eberl (1765-1807) was the one considered most worthy of comparison with Beethoven. His Sonata in F major, op. 49, probably the first of se...
These works contain some of Boismortier's finest and most accomplished music. Written in the 'Italian' style, they are an extension of his sonata writing for one or two instruments and continuo, and y...
Only a handful of Schreivogel's compositions for his instrument have survived. Among them is this impressive and forward-looking three-movement sonata for violin and continuo in E minor, evidently com...
Joseph Bodin de Boismortier's Op. 20 sonatas for solo violin and basso continuo (1727) are the least known of all his sets of sonatas for one or more violins and accompaniment. These very fine works a...
