Anne Boyd 's A Vision: Jesus Reassures His Mother for 6 unaccompanied voices (SSATBB). Composed in 1999, published in 2001. Duration: 14 minutes. Commissioned by the Song Company and performed by them...
For SSAATBarB Choir
For Violin and optional Percussion accompaniment. Published 1995. Commissioned by Kusatsu International Summer Music Festival (Japan). First performance: Kusatsu, 1995, Mitsuko Ishii (vln), Eiso Shige...
For unison children's voices and strings (or with Piano). Published in 1994. Six poems of Jessica George (1984-94) First performance by Jessica's friends, St Olave's Church, York on 22nd October 1994....
For Mandolin. Published 1988. Commissioned by Masayuki Kawaguchi.
For Guitar. Published 2000. First performance: July 2000, Darmstadt-Ferienkurse, Germany, Reinbert Evers.
For mandolin or Piano. Published 1993. Commissioned by Masayuki Kawaguchi. Premiere (piano version): Cologne, 1994, Kristi Becker.
For Organ. Published 1984/86. Commissioned by Noriko Yasuda. First performance: Tokyo, 1986, Noriko Yasuda.
Published 1998. Commissioned by City of Matsumoto (Japan).
Published 1988. Commissioned by NHK (Japan Broadcasting Corp). First performance: Tokyo, 1988, Seiji Kubota.
Published 1984. Commissioned by Mayumi Miyata. First performance: Tokyo, 1984, Mayumi Miyata, Tadaaki Ohno, Tadamaro Ohno.
Published 1973. Duration 14'. 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns. First performance: Mayfaire Ensemble, Purcell Room, 20th March 1973.
Published 1969. First performance: Gilbert Biberian, Wigmore Hall, 1969.
Commissioned by the University of Birmingham Symphony Orchestra. First performance: Great Hall, The University of Birmingham, University of Birmingham Symphony Orchestra, conducted by Vic Hoyland, 199...
Published 1975. First performance: 6th February 1977.
Published 1977
For Basset Horn and Piano. Published 1975. First performance: recording by Georgina Dobree.
Published 1969. First performance: Nicholas Danby, Dartington.
First performance: by Meridian Ensemble conducted by the composer, Bourne, Lincs, 1978.
Commissioned by Beverley Davison and Hot Strings. First performance: conducted by the composer, Birmingham, 1991.
Commissioned by BCMG. First performance: Sarah Leonard conducted by the composer, Adrian Boult Hall Birmingham, 1991.
For Solo Guitar. Published in 2004. First performed by Gilbert Biberian, Firth Hall, Sheffield, 9th March 2004. Score.
For Guitar. Published in 1991-94, revised in 2003. First performed by Charles Ramirez, West Dean College, 25th August 1995.
For Piano. First performed by Thalia Myers. Published in 1994.
13 pieces for Piano. Published in 2003. Up to 24 minutes. Players may play a selection of pieces or the entire collection. First performed by Hiroaki Takenouchi.
For fourteen solo strings. Published 1998. 4. 4. 3. 2. 1 First performance: Academy Soloists, dir. Clio Gould, Royal Academy of Music, London, 29th January 1999. Score.
For organ and pre-recorded organ. Published 2005 Commissioned by Kevin Bowyer. Score.
For Soprano, Flute, Oboe, Percussion, Viola. Published 1960, rev 2003 First performance: Pauline Lewis and members of the Pittsburgh Symphony Orchestra, Carnegie Hall, Pittsburgh, 1960. Score.
For Piano in three parts. Publihsed in 1966-1969. Part 1 - 7 minutes Part 2 - 13 minutes Part 3 - 7 minutes First performance by Stephen Kovacevich, Radio 3 broadcast, 1970. First public performance...
For Organ. Published 2005. Commissioned by George Chittenden. First performance: George Chittenden, St Patrick's Cathedral, Dublin, 6th August 2005. Score.
29'; for solo cello, with 2nd solo cellist (amplified) and 15 strings Published in 1971-74. For solo cello, with 2nd solo cellist (amplified) and 15 strings (4. 4. 4. 2. 1). First broadcast performa...
For Piano. Written for Spectrum. Published in 2003. Score.
For solo Piano and CD. Published in 2006. Commissioned by Ian Pace, with funds provided by the RVW Trust. Score and CD.
For solo Piano.
For solo Piano. Published in 2006.
For Piccolo, Clarinet (or Bass Clarinet), Violin, Cello and Piano. Published in 1999, and first performed by the PM Ensemble, conducted by Michael Rafferty, Late Music Festival, York, 31st October 19...
For solo oboe d'amore Published 2006. Commissioned by Jinny Shaw First performance: Jinny Shaw, Oxford Contemporary Music Festival, 18th November 2006
For Oboe and Percussion.
For Solo Organ. Published in 2006. Composed for and premiered by Roger B. Williams at King's College, Cambridge, 28th October 2006. Score.
Solo Organ. Published in 2007. Score.
First performed at York Late Music Festival, 8th May 2008. 1st Orchid: 1990. Dedicated to Nicolas Hodges. First performed by Michael Finnissy. 2nd Orchid: 1991. 3rd Orchid: 1994. Dedicated to Stephen...
Pianthology is a new collection of seven contemporary Piano works by living composers which includes a recording of each of the works performed by Nicky Losseff, the volume's editor. Nicky Losseff, wh...
For Wind Orchestra. Score.
7 pieces for solo Bass Clarinet. Twinned with 'Twinned Set' by the same composer.
For Organ. Written in 1969. Commissioned by the Dartington Arts Society. Score.
For solo Oboe D'Amour.
Luis Tinoco's Mind the Gap. Composed in 2000 and published in 2004, this work has been arranged for solo Piano with a duration of approximately 8 minutes. Also available for Marimba
Via Della Fortuna by Sadie Harrison. Written in 2013 especially for the St. Christopher Chamber Orchestra and Donatus Katkus. 6; for String Orchestra World premiere: 25th April 2013, St. Katharine's C...
For 9 Trumpets in B flat.
For Piano.
For Guitar and String Quartet. Score.
For Guitar and String Quartet. Parts.
For Flute, Oboe, Clarinet, Bassoon and Horn (and sounds effects - a car horn, a slammable door, destructible crockery and a burstable balloon). Three movements, based on poems by Hilaire Belloc. 1....
For 18 Wind Instruments. Published in 1994, and revised with a new movement in 2011. Movement 1, commissioned by the Halle Concerts Society, was first performed by Halle Orchestra wind, directed by...
First performed on 23rd November 2011 at the Huddersfield Contemporary Music Festival by the Icarus Ensemble. For Flute, Guitar, Clarinet, Percussion, Electric Guitar, Electric Bass, Piano, and Sampl...
First performed by Ruth Nicholson on May 24th, 2012, at Royal Holloway College, London.
Commissioned by the European Composers' Professional Development Programme, and dedicated to Karien Kruger. Instrumentation: Flutes: Piccolo (sounds an octave higher than written); Alto Flute Clarine...
Costa Muda (Soundless Coast) was commissioned by the Casa da M-sica Foundation. First performed on the 26th February 2013 at the Sala Suggia/CdM by the Matosinhos Jazz Orchestra, conducted by Pedro Gu...
Echopraxia by Greek composer, Evis Sammoutis, was commissioned by the Pharos Trust. First performance: 19 May 2006 at PASYDY Auditorium (Nicosia, Cyprus), by Ensemble Modern. 15'; for string sextet
Echopraxia by Evis Sammoutis was commissioned by the Pharos Trust. First performance: 19 May 2006 at PASYDY Auditorium (Nicosia, Cyprus), by Ensemble Modern. 15'; for string sextet: 2vln, 2va, 2vc
Iri Da Iri by Evis Sammoutis was commissioned by Venice Biennale 48th International Festival of Contemporary Music first performance: 22 October 2004, by Orchestra Sinfonica de Friuli, Venezia, conduc...
SAXTON ROBERT SHAKESPEARE SCENES STUDY SCORE
Chaconne For Jonathan Harvey by Ed Hughes, in memory of Jonathan Harvey. For solo Organ. Commissioned by Christopher Batchelor as part of the 2013 London Festival of Contemporary Church Music, with f...
Summer Light for solo guitar (2012) is in three short contrasting movements. There are references to plainchant in the first piece. The final piece is a toccata in which a flexible approach to tempo i...
Seven Shrinking Machines by Ben Gaunt was written for Icasrus Ensemble as part of the European Composers' Professional Development Programme 2012. Seven Shrinking Machines had its world première at Sp...
Zeta Potential was composed in 2012 for the Nieuw Ensemble from Amsterdam. This piece was commissioned as part of the European Composers Professional Development Programme, led by Huddersfield Contemp...
Song To The Bare City was expertly composed by Jonathan Brigg.
A Thread, Entwined was written by Emily Wright for the Nieuw Ensemble, and was commissioned in partnership with the Huddersfield Contemporary Music Festival. A Thread, Entwined was first performed by...
George Nicholson 's ten minute 2013 piece Tronie, arranged for solo Piano. This solo Piano piece was written in 2013. It is a response to Rembrandt's astonishing portrait of his mother painted when he...
James Weeks ' Two Perscriptions for Piano. I - Gloomy Clouds (2002/4) II - Ring (2002/3) ' Perscription is 'writing-through' (reading done with the pen). Gloomy Clouds dissolves the notes of Liszt's N...
James Weeks ' Digger for solo Guitar. This work is dedicated to John Habron and Bethan James on the occasion of their wedding, 27 March 2010. It was commissioned and first performed by Stephen Chase,...
James Weeks ' Matsushima for 1-4 Pianos. Performing score. Matsushima is dedicated to Claudia Molitor. This work is based on a hokku by BashÅ. Matsushima is a an archipelago of some 800 islands in an...
James Weeks ' Duinland for solo Piano with optional Vibraphone.
James Weeks ' Siciliano for solo Piano. This piece was first performed by Weeks at the University of Sussex in May 2004.
The Four Last Things for Clarinet, Percussion and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 8 minu...
Möbius Sticks for Clarinet, Percussion and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 5 minutes. Na...
Uhtceare for Flute, Percussion, Violin and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 8'30'. Uhtcea...
Three Inventions for Flute, Clarinet and Vibraphone. Composed 2014, published 2016. Also included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 6-7 minutes...
Martin Scheuregger 's Death And The Lady for Voice, Clarinet and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. D...
The Cruel Mother for Voice, Flute, Clarinet, Violin and Cello. Composed 2014, published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration:...
Stef Conner's The Shipwrecked Ghost for Mezzo-Soprano, Flute, Clarinet, Percussion, Violin and Cello. Composed 2014. Duration: 9 minutes. Commissioned by Dark Inventions for their Firewheel project, p...