Vivaldi's concerto in D minor was originally scored for: Viola d'amore, lute, strings, harpsi-chord (continuo). In this edition, the viola d'amore was replaced with the viola and the -lute with the mo...
Dirigierauszug - DIRA - Klavier (Cembalo), 2 Violinen und Bass
18th century ballroom dances.
With this double concerto, the Reger pupil Johanna Senfter (1879-1961) is entirely in the tradition of Antonio Vivaldi and J.S. Bach, although she combines the concerto form with the classical four-mo...
The 10 easy pieces adapted from piano pieces from the famous collection For Children offer an ideal approach to modern music. Numerous school orchestras have played this music with fun and success. Be...
This splendidly-sounding piece consists of a vocal movement based on the baroque concertino ripieno principle and a dance movement whose particular attraction results from a long flageolet passage.
With this work, Zimmermann created a score just as transparent as effective and witty which is based on the vigorous melody of the Rhenish dances.
In this composition Barbara Heller uses the song Lalai created in Tehran in 1973. It is a song of resistance against the Shah regime and is about a mother who sings a lullaby to her child and tells th...
Patchwork, das 3. Streichquartett von Barbara Heller (Schott ED 20775), gibt es jetzt auch in der Version für Streichorchester. 'Patchwork' macht Freude mit seinem heiteren, luftigen und leichten Char...
Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percuss...
The musical baroque of Eastern Europe is not enough known. In this edition, a number of dances from Hungary have been arranged reflecting clearly the characteristic features of this style. Flutes, obo...
This symphony gives, above all, the wind instruments the opportunity of a highly articulate and characteristic play. The interesting early classical work consists of allegro, adagio, menuetto and a fi...
This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
Stimmensatz solistisch
A piano score was put to the score in order to facilitate rehearsal. Moreover, the horns were transposed from Eb to F. Thus, an edition of this classical work is presented that complies with the perfo...
Pietro Nardini was the most important pupil of Tartini regarding both violin playing and composition. Like his teacher, he attached special significance to the beauty of sound and the -suitability for...
The famous concerto for three violins, viola, violoncello and bass is published in this practical edition with bowing indications and fin-gerings. Its peculiarity results from the characteristic title...
This work of the composer and theatre music director from Berlin, probably created at the end of the 18th century, consists of three movements and bears the characteristic features of the Berlin Schoo...
The three-movement concerto is a welcome and rewarding example of a double concerto for two flutes (see Fesch). The equally important parts of both flutes present a charming interplay of tonal beauty.
This edition contains vigorous dance tunes with illustrative titles such as 'Les Noces', 'La Coquette' or 'Le Tambourin de la folie'. With -simple technique, they have been made into four- or five-mov...
This concerto was copied from a manuscript of Christoph Graupner. The six solo instruments play in pairs in an al-fresco style with a beautiful sound.
Right at the beginning of the overture, Telemann comes up with a surprising idea. After the -'bare' entry of the wind section, the string tutti do not join in the playing until the third bar. The 'har...
Partitur = Cembalo/Klavier
Partitur = Cembalo - 2 Violinen, Violoncello obl., Streicher und Basso continuo
Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Violoncelli/Kontrabässe - 2 Violinen, Violoncello obl., Streicher und Basso continuo
Fagott, Streicher und Basso continuo
Stimmensatz chorisch - 5 Violinen I, 5 Violinen II, 3 Violen, 3 Violoncelli, 2 Kontrabässe
Giuseppe Sammartini, who was considered to be one of the most important composers of instrumental music of his time, maintained in this concerto a conventional framework; however, he used the instrume...
With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thor-oughly edited scores follow essentially the first edition printed...
The thoroughly edited scores follow essentially the first edition printed by John Walsh in London in 1729. Baston was regarded as an excellent recorder and flute player who worked with London opera or...
Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...
Padre Martini was musical director in Bologna and a respected teacher of composition with whom studied Johann Christian Bach among others.Martini's compositions, between baroque and rococo as to style...
With these new editions, all six recorder concertos of John Baston are now available, each with score, piano score and parts. The thoroughly edited scores follow essentially the first edition printed...
The edition is part of the Trinity syllabus 2007 (grade 7)
The early classical concerto of Georg Benda, the younger brother of Franz Benda, that was written around 1775 is virtuoso showing the technical and tonal qualities of the instrument to their best adva...
The repertoire of double concertos for two flutes (Telemann, Cimarosa) is enlarged by this interesting and original concerto.
Franz Benda belongs to the so-called Berlin or North German School which became extremely significant in the second half of the 18th century particularly in the field of instrumental music and which m...
This work consists of four short parts of varying character; the string part is very lively despite its simplicity and is given effective highlights by the solo trumpet.
A popular piece for Christmas concerts in schools or churches.
This arrangement closes a gap in the repertoire since there is no easy literature from the baroque period for today's common Bb trumpet.
As to form, both the concertino and the nocturne are still strongly characterised by the features of the baroque suite. As to style, however, melody and harmonic structure point to Viennese Classicism...
In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repeti...
Partitur = Cembalo, Klavier - Trompete, Oboe, Streicher und Basso continuo
The flute concerto in D major is one of the few instrumental works written by the opera composer Reinhard Keiser, and even in this work, it is obvious that he is a composer of theatre music. Just the...
The flute concerto in D Major is one of the few instrumental works written by the opera composer Reinhard Keiser, and even in this work, it is obvious that he is a composer of theatre music. Just the...
Leclair is one of the great classical masters of the violin. This concerto is the first of six concertos Op. 10. The score of this edition follows strictly the original edition.
Dance movements of Dowland and from the Fitzwilliam Virginal Book have merged to form a suite that can be used both as concertante work and as theatre music.
In this small three-movement symphony written by Mozart at the age of ten, the rondo form is used for the first time in the finale. Like the 'Lambacher Sinfonie' in G major, this work can also be play...
Mozart wrote this symphony in 1768 at the age of 12 dedicating it to the Benedictine monastery of Lambach. The structure of this score follows the rediscovered parts - the autograph has disappeared.
The important teacher of composition and church composer wrote this effective Neo-classical work as a tribute to the Renaissance composer Ludwig Senfl.
Franz Anton Rössler-Rosetti wurde 1746 im mährischen Mimoň-Niemes geboren. Er wirkte zunächst im Orchester des Herzogs Oettingen-Wallerstein als Kontrabassist, später als Kapellmeister. 1781 lernte er...
The rediscovery of this concerto by the Bohemian composer is certainly a surprise for the violists particularly since there is only very little original literature from the classical epoch. As violist...
Stimmensatz - Flöte I; Flöte II; Klarinette I; Klarinette II; Fagott I; Fagott II; Horn I; Horn II; Trompete I; Trompete II; Pauke; 4 Violinen I; 4 Violinen II; 2 Violen; 4 Violoncelli/Kontrabässe
This concerto was rediscovered by the editor in Paris. Its style is late classical - virtuoso and very guitaristic. The orchestral accompaniment is rather simple and transparent. An effective piece pa...
A romantic concerto full of expressivity, virtuoso and suited to the playing techniques of the clarinet.
As to style, the concerto discovered in Naples in 1986 is close to the well-known concerto in Bb major; it was most likely created at the same -time. The carefully edited publication offers the origin...
One of the most beautiful pieces of the Romantic cello literature - edited and provided with fingerings by the famous cellist Prof. Maria Kliegel. The orchestral accompaniment is easy to play - even f...
For comparison, Hindemith begins the 'Suite französischer Tänze' with the original movements by Pierre d'Attaignant. This is meant to be a demonstration and motivation for the player of today to add o...
Der Suite französischer Tänze stellt Hindemith zum Vergleich die Originalsätze von Pierre d'Attaignant voran. Dies ist als Demonstration und Motivation für den heutigen Spieler gedacht, selbständig kl...
The suite from the cycle 'Plöner Musiktag' (1932) was structured according to the exact instrumentation directions of the composer and completed with a percussion part ad lib. Particular attraction is...
Streicher-Ergänzungssatz - 2 Violinen I; 2 Violinen II; Viola; 2 Violoncelli/Kontrabässe - Orchester
A typical solo concerto of the Mannheim School which contributed to the fact that this new style was spread all over the world by the composer and celebrated oboe virtuoso Lebrun. This work convinces...
Leopold Mozart, Vater des unerreichten Genies Wolfgang Amadeus, komponierte ebenfalls Musik, stand und steht aber verständlicherweise im Schatten seines Sohnes. Sein Trompetenkonzert ist gar zweimal ü...
Stimmensatz - 5 Violinen I, 5 Violinen II, 3 Violen, 5 Bassi - 2 Violinen, Viola, Bassi; Cembalo ad lib.
Telemann's work in Sorau as music director in the court of Count Erdmann von Promnitz and the trips involved as far as Cracow put him in touch with Polish folk music. One example of his artistic exami...
The three-movement overture is a succinct work full of contrasts. The 3rd movement Paesana imitates the popular violin-playing of Scotland that Barsanti got to know there (from the age of 24, he lived...
