Amy Beach

Immerse yourself in the evocative world of Irish folklore with "The Fair Hills of Eire, O!", Op. 91 by the renowned American composer Amy Beach (1867–1944). Composed in 1922 and based on a traditional...

Amy Beach (1867-1944) wrote Les Rêves de Colombine (Columbine's Dreams), a "Suite Française" for piano, in 1907 and premiered them herself at a recital on April 17, 1907, at Boston's Hotel Tuileries....

With "Children's Album" and "Children's Carnival", Amy Beach continues the tradition of famous 19th century piano cycles for young players. The dances and character pieces are great for lessons and fi...

Expertly adapted from the violin version, the solo part fits the viola idiomatically without changes to the piano part. In Beach's signature chromatic, romantic style, these are a great addition to th...

Immerse yourself in the enchanting world of the Commedia dell'arte with "Pierrot and Pierrette" from the beloved suite "Children's Carnival" (Kinderkarneval) Op. 25, No. 4. This charming piece for flu...

Inspired by the Bellevue (WA) Youth Symphony's programming theme - 'Forgotten Voices', and with the help of a Performance Grant from Women's Philharmonic Advocacy this arrangement was made possible. T...

Three Browning Songs by Amy Beach, arranged for flute and piano by Virginia Broffitt Kunzer and Tammie Walker. Dedicated to the Browning Society of Boston, each of the songs (originally for voice and...

A transcription of the original work for flute and piano. Reminiscent of a gentler time when one might relax in a Victorian garden. Instrumentation: 3 C Flutes, Alto Flute (or Flute 4)

for Flute and Piano. Amy Marcy Beach (1867-1944) was well-known as a concert pianist and these works show off virtuosic flair in the piano part and fine melodic lines in the flute part. Written in 192...

Often considered the first successful American female composer of large-scale art music, Amy was both a composer and a concert pianist. Here are two of her most important art songs--'Ah, Love, But A D...

Often considered the first successful American female composer of large-scale art music, Amy was both a composer and a concert pianist. Here are two of her most important art songs--'Ah, Love, But A D...

Experience a moment of profound contemplation and solace with "Peace I leave with you" Op. 8, No. 3, published by the renowned Carus-Verlag. As the third piece from the esteemed collection "Choral Res...

Experience a moment of profound contemplation and solace with "Peace I leave with you" Op. 8, No. 3, published by the renowned Carus-Verlag. As the third piece from the esteemed collection "Choral Res...

Considered an homage to Brahms' Piano Quintet, Op. 34, Amy Beach's Quintet, Op. 67, was critically acclaimed upon reception and is now regarded as a milestone of American chamber literature.

Amy Marcy Beach (1867-1944) composed Theme and Variations, Op. 80 in 1916. In A minor, the theme is followed by six variations. Sections: Theme: Lento di molto, sempre espressivo; Variations 1: L'iste...

Amy Marcy Beach (1867-1944) composed Theme and Variations, Op. 80 in 1916. In A minor, the theme is followed by six variations. Sections: Theme: Lento di molto, sempre espressivo; Variations 1: L'iste...

GAELIC SYMPHONY or SYMPHONY IN E MINOR, Op. 32 was written by Amy Beach (1867-1944) in 1894, and it holds the distinction of being the first symphony composed by a female American composer. Premiering...

GAELIC SYMPHONY or SYMPHONY IN E MINOR, Op. 32 was written by Amy Beach (1867-1944) in 1894, and it holds the distinction of being the first symphony composed by a female American composer. Premiering...

Immerse yourself in the deeply moving sound world of late Romanticism: "La Captive", Op. 40, No. 1 is a profoundly emotional masterpiece filled with bittersweet poetry and sonic elegance. Originally c...