Andre Bodin
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...
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Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...
Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...
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Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...
Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...
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Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...
Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...
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Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...
Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...
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'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...
'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...
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'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...
'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...
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'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...
'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...
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'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...
'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...
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Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...
Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...
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Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...
Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...
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Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...
Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...
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Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...
Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...
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'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
- High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
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'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
- High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
- Score and Parts Download
- Andre Bodin
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'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
- High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
- Score
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'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...
- High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
- Score Download
- Andre Bodin
- Baton Music
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immediately available
Download immediately after ordering - Instant download
Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
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Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
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Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
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Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...
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For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...
For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...
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For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...
For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...
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- Andre Bodin
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immediately available
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For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...
For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...
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For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...
For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...
- Concert Band
- Score Download
- Andre Bodin
- Baton Music
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immediately available
Download immediately after ordering - Instant download