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Andre Bodin

Franz Lehár
Waltzes from The Merry Widow

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...

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Order no.: BTM1286SC-DL
Charles Ives
Adagio molto for Symphonic Band

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

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Order no.: BTM1303
Charles Ives
Adagio molto for Symphonic Band

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

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Charles Ives
Adagio molto for Symphonic Band

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

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Order no.: BTM1303SC
Charles Ives
Adagio molto for Symphonic Band

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

Charles Ives's 'Symphony No. 1 in D minor', written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protes...

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Order no.: BTM1303SC-DL
Albert Lortzing
from the Opera Der Waffenschmied

'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...

'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...

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Order no.: BTM951
Albert Lortzing
from the opera Der Waffenschmied

'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...

'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...

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Order no.: BTM951-DL
Albert Lortzing
from the Opera Der Waffenschmied

'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...

'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...

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Order no.: BTM951SC
Albert Lortzing
from the opera Der Waffenschmied

'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...

'Der Waffenschmied' (The Armourer) is an opera (Singspiel) in three acts by German composer Gustav Albert Lortzing (1801-1851). It's often considered his third most popular work. The opera was eventua...

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Edward Elgar

Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...

Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...

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Order no.: BTM993
Edward Elgar

Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...

Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...

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Order no.: BTM993-DL
Edward Elgar

Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...

Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...

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Order no.: BTM993SC
Edward Elgar

Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...

Edward Elgar composed 'Sospiri', Op. 70 just before the beginning of World War I. This adagio was originally intended for violin and piano, as a companion piece to 'Salut d'Amour'. Elgar had in mind t...

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Order no.: BTM993SC-DL
Carl Maria von Weber
Cavatina from the Opera Der Freischütz

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

  • High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
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  • Andre Bodin
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Order no.: BTM950
Carl Maria von Weber
Cavatina from the opera "Der Freischütz"

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

  • High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
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Order no.: BTM950-DL
Carl Maria von Weber
Cavatina from the Opera Der Freischütz

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

  • High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
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Order no.: BTM950SC
Carl Maria von Weber
Cavatina from the opera "Der Freischütz"

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

'Der Freischütz', is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind. The plot is based on the German folk legend of the 'Freischütz' and ma...

  • High Voice, 2 Bassoons, 2 Clarinets Solo, 3 Clarinets, Bass Clarinet, Baritone Saxophone, 2 Horns and Double Bass
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  • Andre Bodin
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Order no.: BTM950SC-DL
Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Order no.: BTM1323
Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Order no.: BTM1323SC
Mikhail Ippolitov-Ivanov
from Caucasian Sketches

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

Mikhail Mikhailovich Ippolitov-Ivanov (1859 - 1935) was a Russian composer, conductor and teacher. His works include operas, orchestral music, chamber music and a large number of songs. His style is s...

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Carl Wilhelm Eugen Stenhammar
Interlude

For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...

For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...

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Order no.: BTM1319
Carl Wilhelm Eugen Stenhammar
Interlude

For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...

For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...

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Order no.: BTM1319-DL
Carl Wilhelm Eugen Stenhammar
Interlude

For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...

For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...

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Order no.: BTM1319SC
Carl Wilhelm Eugen Stenhammar
Interlude

For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...

For the 150 year jubilee of the 'Royal Swedish Academy of Music' in 1921, Swedish composer Wilhelm Stenhammar composed the symphonic cantata 'Sången' (The Song). 'Sången' has 2 movements of which the...

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Order no.: BTM1319SC-DL