Andreas Friesenhagen
This edition clarifies a performance aspect of Haydn's Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument p...
This edition clarifies a performance aspect of Haydn's Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument p...
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- Instrumental Part: Cello (Urtext)
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This edition clarifies a performance aspect of Haydn's Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument p...
This edition clarifies a performance aspect of Haydn's Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument p...
- Orchestra
- Instrumental Part: Double Bass (Urtext)
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> Based on the G. Henle Complete Edition of the Works of Joseph Haydn > Orchestral parts in a large format (25.5 x 32.5 cm) Haydn's Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs...
> Based on the G. Henle Complete Edition of the Works of Joseph Haydn > Orchestral parts in a large format (25.5 x 32.5 cm) Haydn's Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs...
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- Instrumental Part: Violin 1 (Urtext)
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> Based on the G. Henle Complete Edition of the Works of Joseph Haydn > Orchestral parts in a large format (25.5 x 32.5 cm) Haydn's Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs...
> Based on the G. Henle Complete Edition of the Works of Joseph Haydn > Orchestral parts in a large format (25.5 x 32.5 cm) Haydn's Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs...
- Orchestra
- Instrumental Part: Violin 2 (Urtext)
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> Based on the G. Henle Complete Edition of the Works of Joseph Haydn > Orchestral parts in a large format (25.5 x 32.5 cm) Haydn's Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs...
> Based on the G. Henle Complete Edition of the Works of Joseph Haydn > Orchestral parts in a large format (25.5 x 32.5 cm) Haydn's Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs...
- Orchestra
- Instrumental Part: Viola (Urtext)
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> Based on the G. Henle Complete Edition of the Works of Joseph Haydn > Orchestral parts in a large format (25.5 x 32.5 cm) Haydn's Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs...
> Based on the G. Henle Complete Edition of the Works of Joseph Haydn > Orchestral parts in a large format (25.5 x 32.5 cm) Haydn's Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs...
- Orchestra
- Instrumental Part: Cello (Urtext)
- Bärenreiter Verlag
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> Based on the G. Henle Complete Edition of the Works of Joseph Haydn > Orchestral parts in a large format (25.5 x 32.5 cm) Haydn's Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs...
> Based on the G. Henle Complete Edition of the Works of Joseph Haydn > Orchestral parts in a large format (25.5 x 32.5 cm) Haydn's Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs...
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- Instrumental Part: Double Bass (Urtext)
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Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...
Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...
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- Instrumental Part: Violin 1 (Urtext)
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Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...
Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...
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- Instrumental Part: Violin 2 (Urtext)
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Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...
Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...
- Orchestra
- Instrumental Part: Viola (Urtext)
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Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...
Associating the term 'Sturm und Drang' with Haydn's creative period from ca. 1765 to ca. 1772 is considered controversial among scholars, but it does describe a unique group of works within his sympho...
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- Instrumental Part: Cello (Urtext)
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The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
- Orchestra
- Score (Urtext)
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The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
- Orchestra
- Set of Parts - Harmony (Urtext)
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The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
- Orchestra
- Instrumental Part: Violin 1 (Urtext)
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The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
- Orchestra
- Instrumental Part: Violin 2 (Urtext)
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The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
- Orchestra
- Instrumental Part: Viola (Urtext)
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The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
The six movements of Joseph Haydn’s Symphony No. 60 “Il Distratto” once served as incidental music for the comedy “Le Distrait” by Jean-François Regnard (1655–1709), which was performed at the Esterhá...
- Orchestra
- Instrumental Part: Cello and Double Bass (Urtext)
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Scientific Complete Edition with Critical Report, Series I, Volume 5b, cloth.
Scientific Complete Edition with Critical Report, Series I, Volume 5b, cloth.
- Orchestra
- Score and Critical Comment
- G. Henle Verlag
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Haydn probably composed his Symphony no. 88 in G major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the F-major Symphony no. 89, for...
Haydn probably composed his Symphony no. 88 in G major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the F-major Symphony no. 89, for...
- Orchestra
- Study Score (Urtext)
- G. Henle Verlag
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According to his dating of the autograph, Haydn composed the Symphony no. 89 in F major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work,...
According to his dating of the autograph, Haydn composed the Symphony no. 89 in F major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work,...
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- Study Score (Urtext)
- G. Henle Verlag
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Haydn's three Symphonies nos. 90-92 might rightly be dubbed his 'Paris Symphonies Part II', as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already compose...
Haydn's three Symphonies nos. 90-92 might rightly be dubbed his 'Paris Symphonies Part II', as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already compose...
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Haydn's three Symphonies nos. 90-92 might rightly be dubbed his 'Paris Symphonies Part II', as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already compose...
Haydn's three Symphonies nos. 90-92 might rightly be dubbed his 'Paris Symphonies Part II', as they were commissioned in 1788/89, likewise by the Société Olympique, for which Haydn had already compose...
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Although Mozart’s penultimate piano concerto was completed on 24 February 1788, it was not premiered until 1789 in Dresden. A further performance in autumn 1790, as part of the celebrations in honour...
Although Mozart’s penultimate piano concerto was completed on 24 February 1788, it was not premiered until 1789 in Dresden. A further performance in autumn 1790, as part of the celebrations in honour...
- Piano and Orchestra
- Study Score (Urtext)
- G. Henle Verlag
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Edward Elgars Oratorium "The Dream of Gerontius" auf einen Text des Kardinals Newman entstand 1900 für das Birmingham Festival. Trotz einer katastrophalen Uraufführung, die aus diesem Grund im Elgar-S...
Edward Elgars Oratorium "The Dream of Gerontius" auf einen Text des Kardinals Newman entstand 1900 für das Birmingham Festival. Trotz einer katastrophalen Uraufführung, die aus diesem Grund im Elgar-S...
- Literature
- Book
- Musikverlag Christoph Dohr
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Instrumentation: Flute, 1. & 2. Oboe, 1. & 2. Basoon, 1. & 2. Horn, 1. & 2. Violin, Viola, Violoncello, Double bass > Based on the Henle Complete Edition of the Works of Joseph Haydn > Orchestral part...
Instrumentation: Flute, 1. & 2. Oboe, 1. & 2. Basoon, 1. & 2. Horn, 1. & 2. Violin, Viola, Violoncello, Double bass > Based on the Henle Complete Edition of the Works of Joseph Haydn > Orchestral part...
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- Instrumental Part: Viola (Urtext)
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