Anthony Plog
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I. To a Fish (2') II. A Fish Answers (ca. 1'30) III. The Fish turns into a Man, and then into a Spirit, and again Speaks (ca. 3'30)
I. To a Fish (2') II. A Fish Answers (ca. 1'30) III. The Fish turns into a Man, and then into a Spirit, and again Speaks (ca. 3'30)
- Horn, Piano and Narrator
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- Oboe, Horn and Piano
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Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
- Horn, speaker and clapper
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Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
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The Concertino for trumpet, trombone, and brass ensemble was written for the Grand Ensemble de Cuivres d'Alsace (GECA) (France) and the soloists Philippe Litzler (trumpet) and Henri Michel Garzia (tro...
The Concertino for trumpet, trombone, and brass ensemble was written for the Grand Ensemble de Cuivres d'Alsace (GECA) (France) and the soloists Philippe Litzler (trumpet) and Henri Michel Garzia (tro...
- Trumpet, Trombone and Piano
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- Horn, Tuba and Piano
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The Triple Concerto for trumpet, horn, trombone and orchestra exploits many different textures both within the solo group and the orchestra itself. Each of the solo instruments is called upon at times...
The Triple Concerto for trumpet, horn, trombone and orchestra exploits many different textures both within the solo group and the orchestra itself. Each of the solo instruments is called upon at times...
- Trumpet, Horn, Trombone and Piano
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- 5 Wind Instruments and Narrator
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Flute (+piccolo), trumpet (+piccolo in Bb + flugehorn) and organ When Joel Treybig suggested the idea of writing for flute, trumpet, and organ, this combination seemed like a wonderful possibility to...
Flute (+piccolo), trumpet (+piccolo in Bb + flugehorn) and organ When Joel Treybig suggested the idea of writing for flute, trumpet, and organ, this combination seemed like a wonderful possibility to...
- Flute, Trumpet and Organ
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Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
- String Quartet
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Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
Before Aristotle (384-322 B.C.) and Plato (c.428-c.348 B.C.), before Buddha (VI or V c. B.C.) and Confucius (551-479 B.C.), in an age when the calendar had ten months, the year had 354 days, and peopl...
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- High Voice, Trumpet and Piano
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- Trumpet, Narrator and Piano
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- Edward H. Tarr
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- Trumpet, Narrator and Piano
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- Tuba, speaker and piano
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- Tuba, speaker and piano
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Baritone voice and brass quintet The composer was inspired for this remarkable work by the poems of Walt Whitman (1819-1892), whose texts deal with war and its appalling suffering and consequences for...
Baritone voice and brass quintet The composer was inspired for this remarkable work by the poems of Walt Whitman (1819-1892), whose texts deal with war and its appalling suffering and consequences for...
- Medium Voice and 5 Brass Instruments
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- Viola and 5 Wind Instruments
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The Horn Quartet no. 1 is a multi movement work, which explores the various textures and colors that the horn is capable of producing. There are sections, such as the beginning, which are atmospheric...
The Horn Quartet no. 1 is a multi movement work, which explores the various textures and colors that the horn is capable of producing. There are sections, such as the beginning, which are atmospheric...
- Horn Quartet
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The Horn Quartet no. 1 is a multi movement work, which explores the various textures and colors that the horn is capable of producing. There are sections, such as the beginning, which are atmospheric...
The Horn Quartet no. 1 is a multi movement work, which explores the various textures and colors that the horn is capable of producing. There are sections, such as the beginning, which are atmospheric...
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This sonata is written in two parts, each comprising two movements attacca. Anthony Plog skillfully varies passages that highlight the sonority and singing character of the horn with more virtuosic a...
This sonata is written in two parts, each comprising two movements attacca. Anthony Plog skillfully varies passages that highlight the sonority and singing character of the horn with more virtuosic a...
- Horn and Piano
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This sonata is written in two parts, each comprising two movements attacca. Anthony Plog skillfully varies passages that highlight the sonority and singing character of the horn with more virtuosic a...
This sonata is written in two parts, each comprising two movements attacca. Anthony Plog skillfully varies passages that highlight the sonority and singing character of the horn with more virtuosic a...
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This 'Nocturne' for Horn and Strings was written in 1987 for the American hornist Gail Williams, and was completed in 1988 in Los Angeles. The work especially brings out the lyrical and expressive sid...
This 'Nocturne' for Horn and Strings was written in 1987 for the American hornist Gail Williams, and was completed in 1988 in Los Angeles. The work especially brings out the lyrical and expressive sid...
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