Anton Bruckner

When the E minor Mass was premiered in Linz it was heard in its first version. Bruckner made several changes to this version in 1876 and 1882: he reviewed its architecture and phrase structure and imp...

Bruckner’s mighty "Mass in F minor" is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music...

Bruckner’s mighty Mass in F minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music....

Bruckner’s mighty "Mass in F" minor is one of his most significant creations and one of the great 19th-century choral works. The composer uniquely succeeds in exploring faith through the lens of music...

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revi...

Bruckner described his setting of Psalm 150 of 1892 as 'my best festive cantata of all'. Psalm 150 has a definite festive character, manifested straight away in the monumental Hallelujah theme for the...

Te Deum für Soli, gemischten Chor und Orchester Partitur

The March in E-flat major, WAB 116, was composed on August 12th, 1865, during his time in Linz. The piece was written for the military band of the local rifle regiment as a gesture of appreciation for...

'Ecce sacerdos magnus' (Behold a great priest), WAB 13, is an 1885 sacred motet by the Austrian composer Anton Bruckner. It is a musical setting of the antiphon of the same title. The work is a six-pa...

Thomas Doss orchestrated this inspiring and very playable transcription of Christus factus est (WAB 11), the motet written by Bruckner in 1884, for wind orchestra. After Messe für den Gründonnerstag f...

The third part of Bruckner's Fourth Symphony (The Romantic Symphony) is quite well suited for a transcription for wind band, not in the least because of the haunting horn themes.

Bruckners Klavierwerke sind Gelegenheitsstücke. Die 'Erinnerung' aus dem Jahre 1868 spiegelt die Charakteristika seines Stils auf kleinem Raum wider.

2-3Trp, 1-2Hr, 1-3Pos, Euph ad lib, Tba

Anyone who is familiar with Bruckner's symphonies and great masses will probably be astonished upon hearing his Missa solemnis of 1854: can the tradition of the Viennese classics still be so clearly e...