Antonín Dvořák

Antonín Dvorák (1841-1904) began composition of his setting of the Stabat Mater text in 1876 and finally finishing the orchestral version in late 1877, though it was not published until 1881 as Op. 58...

The Symphony No. 8 in G major, Op. 88, B. 163 by Antonín Dvorák (1841-1904) was composed in 1889 at Vysoká u Príbrame, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Lite...

Antonín Dvorák (1841-1904) composed A HERO'S SONG (PÍSEN BOHATÝRSKÁ), Op. 111/B. 199, in 1897, making it his final symphonic poem and one of his last major orchestral works. Unlike his earlier program...

The Symphony No. 8 in G major, Op. 88, B. 163 by Antonín Dvorák (1841-1904) was composed in 1889 at Vysoká u Príbrame, Bohemia, on the occasion of his election to the Bohemian Academy of Science, Lite...

Dvorak wrote the Slavonic Dances Nos. 4 And 6 in 1878. Here, arranged by Stone, are the wind, brass, and percussion parts for the dances.

The search for an authoritative musical text led Christian Rudolf Riedel, among others, to the 'New World', specifically to the archives of the New York Philharmonic ...

The search for an authoritative musical text led Christian Rudolf Riedel, among others, to the 'New World', specifically to the archives of the New York Philharmonic ...

The search for an authoritative musical text led Christian Rudolf Riedel, among others, to the 'New World', specifically to the archives of the New York Philharmonic ...

The search for an authoritative musical text led Christian Rudolf Riedel, among others, to the 'New World', specifically to the archives of the New York Philharmonic ...

Immerse yourself in one of the most poignant masterpieces of the Romantic era: Antonín Dvořák's Symphony No. 9 in E minor, Op. 95 ("From the New World"). Inspired by vast American landscapes and soul-...

Antonín Dvořák's Symphony No. 9 in E minor, Op. 95 ("From the New World") is one of the most thrilling and celebrated milestones in the entire orchestral repertoire. Inspired by the vast expanses and...

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

The first set of Slavonic Dances, edited by Dvorak expert Klaus Döge, constituted a small series of works in 1996, which continued to grow in the following years.

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Klaus Doege reevaluates the surviving sources. The result is an edition that precisely traces the many, often contradictory, readings between the autograph and the first printing in a text-critical ma...

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.

Oh, the tempi! A terrible thing!, Dvorák repeatedly complained. Not without reason, as the renowned Dvorák expert Klaus Döge found in the edition of the '8th'.