Antonín Dvořák

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Here's a instantly recognizable tune from the classical repertoire that provides a teaching moment for the troublesome dotted 8th-16th note figure.

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...

Dvorák was extremely interested in Native American and African American melody, and his Symphony No. 9 (From the New World) included influences of both. This easy arrangement wonderfully includes the...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

The serenade flourished in Mozart’s era, but with Brahms the genre experienced a new surge in popularity in the 19th century. Dvořák’s cheerful and relaxed op. 22 came into being in 1875, during a ver...

Antonin Dvorák's Serenade for Strings, Op. 22 is arranged for String Orchestra.

This arrangement of Dvorak's popular Slavonic Dance in E Minor Op. 46, No. 2 offers a chance to show off three soloists on violin, viola, and cello - while becoming acquainted with the musical style o...