Antonín Dvořák

Faithful to the original, Richard Meyer's arrangement of Dance No. 7 retains Dvorák's bold and brilliant orchestration, with exciting and meaningful parts for every instrument. Your students and audie...

Faithful to the original, Richard Meyer's arrangement of Dance No. 7 retains Dvorák's bold and brilliant orchestration, with exciting and meaningful parts for every instrument. Your students and audie...

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

> A work marking the beginning of Dvorák's so-called Slavonic period > Urtext edition incorporating every known source > Foreword (Eng/Cz/Ger) and Critical Commentary (Eng) by the editor Dvorák's 'Sla...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

Dvorák composed his 'Slavonic Rhapsodies' op. 45 in 1878, initiating his so-called 'Slavonic period'. They were issued by the publisher Simrock the following year as three independent orchestral piece...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

After Antonín Dvorák had spent a successful time in Vienna in the summer of 1879, during which he deepened his acquaintance with Johannes Brahms and the conductor Hans Richter and heard the Vienna Phi...

Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...

Dvoráks 7. Symphonie wurde im August 1883 von der 'Royal Philharmonic Society' in Auftrag gegeben und am 22. April 1885 in London unter der Leitung des Komponisten uraufgeführt. Im folgenden Juni kürz...

Dvorák's 7th Symphony was commissioned by the Royal Philharmonic Society in August 1883 and premiered in London on April 22, 1885 under the direction of the composer. The following June, Dvorák shorte...

This separately published Critical Report offers comprehensive information on the genesis, transmission, sources and readings of the works edited in this volume.

The performance material available up till now for Dvorák's sun-filled cheerful Symphony no. 8 has been notorious for its myriad mistakes. The challenge of correcting it has now been taken over by the...

The previously available performance material for Dvorák's sunny, cheerful Symphony No. 8 is notorious for its errors. The editor Jonathan Del Mar has taken on this comprehensive task of correction. H...

The 'New World' Symphony, a jewel of the symphonic repertoire, is finally available in a dependable scholarly-critical edition. Yet again Jonathan Del Mar has managed to untangle a complex network of...

This separately published Critical Commentary offers extensive information on the genesis, reception, sources, and readings of the works included in the music volume.

The symphony "From the New World", a jewel of symphonic literature, is finally available in a reliable, scholarly-critical edition. Once again, editor Jonathan Del Mar brings clarity to the complex we...

Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this p...

> First Urtext edition of the original piano reduction<br>> Variants in the solo part rendered as ossia passages<br>> Foreword on the work’s genesis (Ger/Cz/Eng) and detailed Crit...

Everyone remembers the tune by its subtitle, 'Going Home.' This lush song is creatively scored with your intermediate orchestra in mind. Although there appear to be some exposed woodwind passages in t...

Everyone remembers this Antonín Dvorák tune by its subtitle, 'Going Home.' This lush song is creatively scored with your intermediate orchestra in mind. Although there appear to be some exposed woodwi...