Antonín Dvořák

Anton Dvorak hat mit diesem Werk eine unsterbliche Melodie - ursprünglich eigentlich für 2 Violinen - geschaffen. Hier gibt es die Bearbeitung für 2 Solo Flöten und Blasorchester. Schwierigkeitsgrad:...

Oktette für Violoncelli Alto

Anton Dvorak hat mit diesem Werk eine unsterbliche Melodie - ursprünglich eigentlich für 2 Violinen - geschaffen. Hier gibt es die Bearbeitung für 2 Solo Flöten und Blasorchester. Schwierigkeitsgrad:...

This arrangement of the Finale from Serenade for String Orchestra, Op. 22, composed in 1875, features the lively combination of Czech folk melodies and dance rhythms that were Dvor? k's hallmark. It i...

Tongue-in-cheek and beautiful, Bottom of the Ninths is the perfect way to delve into these masterworks with young players in a fun context! All sections remain in 1st position, in the key of D major,...

Taken from Dvorak's famous 'Largo', the second movement of his Symphony No.9 'From the New World', here arranged for unaccompanied wordless SSA choir.Duration c.3 minutes

This remarkable volume of symphonic piano reductions includes four masterpieces chosen from the classical to romantic periods.

Herausgeber Milan Kuna

While his Symphony No. 9 is better known, Antonín Dvorák's (1841-1904) Symphony No. 7 is argued by many to be his best symphonic work. Inspired in part by his friend Johannes Brahms' new Symphony No....

While his Symphony No. 9 is better known, Antonín Dvorák's (1841-1904) Symphony No. 7 is argued by many to be his best symphonic work. Inspired in part by his friend Johannes Brahms' new Symphony No....

From the Czech composer Antonín Dvorák. Skillful arrangement makes an enjoyable learning experience. Worthwhile expansion of recital possibilities.

Inhalt: Holz III in Es (Altsax), Holz IV in hoch B (Bassklarinette) und in Es (Baritonsax), Blech III in Es (Altsax), Blech IV in Es (Baritonsax), Blech III in F bereits im Stimmenheft enthalten.