Antonio Carlos Jobim

Studio Orchestra Arrangement. Full Score, English Vocal, Portugese Vocal, Woodwind 1: Piccolo/Bass Flute (Alto Flute Alt Part)/C Flute, Woodwind 2: Piccolo/Bass Flute (Alto Flute Alt Part)/C Flute/Alt...

This was a major success for this brilliant Brazilian composer. This treatment is filled with the harmonic surprises that make Mike Lewis' work so wonderful. Instrumentation: 2.1+EH.1+BCl.2: 2.2.0.0:...

Accessible for a variety of reasons, the novelty of a bossa nova on your concert will set the evening apart. A jazz rhythm section (guitar, bass, piano, drum set, and shaker) lend the arrangement auth...

Smooth harmonies and a light Latin groove make this fun to play. The careful scoring and key choices will build confidence with your student players.

Smooth harmonies and a light Latin groove make this fun to play. The careful scoring and key choices will build confidence with your student players.

Smooth harmonies and a light Latin groove make this fun to play. The careful scoring and key choices will build confidence with your student players.

A superb Medium Easy slow bossa arranged by Jerry Sheppard as a feature for two Fugelhorns (or Bb clarinets) with full band backing and a specially written Latin bass line. The piece is introduced by...

Buddy Rich played this chart constantly! Features a great bass trombone solo on the tune. Flute doubles required on all saxophone parts. Here is a rare chance to feature the bottom of the trombone sec...

The Novello Barbershop series offers unaccompanied arrangements of a variety of well-loved songs from the 1940s to the 1970s. Arranger Nicholas Hare has endeavoured to share the interest among all th...

The smooth sounds of Brazilian jazz great Antonio Carlos Jobim are set here in a sensational chart by Paris Rutherford featuring the English lyrics by Jon Hendricks and Jessie Cavanaugh. Available for...

Often thought of to be the first bossa nova ever recorded, this classic Jobim blues tune is masterfully arranged for 4 horns and rhythm section.