Arvo Pärt

The Magnificat is one of Pärt's most serene works, and has become deservedly popular with choirs around the world. The music perfectly expresses the exalted, tender joy of the Virgin Mother, and yet r...

In which Was the Son of... for mixed a cappella-choir Arvo Pärt uses the Genealogy of Jesus in accordance with the Gospel of Luke. (St Luke 3, 23 -28). While the Magnificat from Luke Chapter I - the S...

Inspired by his visit to Fátima, scene of a famous Marian Apparition in 1917, Arvo Pärt wrote a small choral piece based on a passage from Psalm 8. 3 'Out of the mouth of babes and sucklings thou hast...

Arvo Pärt is a composer best known for his 'tintinnabuli' compositions. It is a lesser-known fact that in his earlier years as a composer, he also wrote children's songs and piano pieces along with mu...

Composed in 1990, and revised in 1991, for SATB Choir or soloists with organ accompaniment, Pärt's setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also...

Arvo Pärt's Mozart-Adagio (1992) for violin, cello and piano was composed for the Kalichstein-Laredo-Robinson Trio on commission by the Helsinki Festival, where it was premiered. The piece is in memor...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Daniel Hop...

These four appealing pieces, written for a children’s theatre, are as humorous as they are poetic. For the first two dances Pärt took stories from the brothers Grimm: Puss in Boots and Little Red Ridi...

`Spiegel im Spiegel` is a well-known example of Arvo Pärts Tintinnabuli style and has been used in many films. Arvo Pärts Spiegel im Spiegel illustrates his creative principles: above a permanent flow...

Arvo Pärt wrote the prayer of peace Da pacem Domine to fulfil a commission from Jordi Savall. He began to set this ninth-century Gregorian antiphon two days after the Madrid bombings on 11 March 2004...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

The sheet music of Arvo Pärts 'Spiegel im Spiegel' for clarinet and piano illustrates his creative principles: above a permanent flow of chords on the piano, the clarinet unfolds acantilena in long no...

Arvo Pärt's Spiegel im Spiegel for violin and piano, written in 1978, illustrates his creative principles: above a permanent flow of chords on the piano, the cello unfolds acantilena in long note valu...

It takes 75 minutes to relate the story of the Passion according to the Latin of St John's Gospel; Pärt uses solo singers for the roles of Pilate and Christ, and a group of four soloists (soprano, cou...

This piece for female choir a cappella is Pärt's musical interpretation of Psalm 122 (121): I rejoiced that they said to me, 'Let us go to the house of Yahweh.' At last our feet are standing at your g...

Commissioned by Durham University on the occasion of its 175th anniversary in 2007. The world premiere took place on December 10th, 2007 at St Martin-in-the-Fields, London by Durham University Choir,...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

There is comparatively little piano music by this important contemporary composer and both these editions (Für Anna Maria, Four Piano Pieces for Childrens' Theatre) are welcome additions to the young...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

Fratres (original setting for violin and piano) was commissioned by the Salzburg Festival and premiered on August 17th, 1980 at that very place (violin: Gidon Kremer, piano: Elena Kremer). Composed in...

Ausgabe mit Melodie ohne Akkordsymbole

Pärt's composition appears functional, plain, without intellectual secret-mongering. It is built upon single intervals, triads and little rhythm games as well as upon medieval patterns. These Magnific...