Benjamin Britten

In this second Parable for church performance, Britten sustains the influence of the Noh tradition in Curlew River, while taking inspiration from the Biblical story Ananias, Azarias and Misael. It tel...

Of all the parables in the New Testament none has had quite such a universal and ever-renewed appeal as that of the Prodigal Son. With its unforgettable climax of reward and rejoicing being lavished n...

Commissioned by the BBC for broadcast at the opening concert of the Third Programme, the work was described in the Radio Times as Festival Overture . The work lasts 8 minutes.

In this second Parable for church performance, Britten sustains the influence of the Noh tradition in Curlew River, while taking inspiration from the Biblical story Ananias, Azarias and Misael. It tel...

Written during Britten’s years in the USA (1939-1942) this atmospheric processional languished unperformed in a New York library until its discovery in 1976, the year of the composer’s dea...

Summons to Venice - Overture to Venice - First Beach Scene - Sight of Tadzio - 'I Love You' - Pursuit - Second Beach Scene and Death, arranged and compiled by Steuart Bedford

. . .has an extraordinary bleakness, like cold stone in winter sunlight. The instruments, mainly strings and percussion, are systematically drained of color, yet the final moments offer some of the mo...

Britten's last completed work, written for young people's chorus and orchestra, is in five short sections: March, Roundel and Canon for orchestra and choir, and Jig and Modulation for orchestra alone....

Instrumentation: 1(=picc).1.2(I=Ebcl.II=bcl+asax) or 3(I=Ebcl.III=bcl+asax).1 – 0210 – timp – perc(1): susp.cym/BD+cym/tam-t/TD/SD – pno – strings

A dramatic work of considerable substance, from which individual movements may be performed separately as anthems or concert works. The work sets a variety of texts from authors as varied as John Rusk...

Britten's Irish Reel was composed in 1936 as title music for a documentary film made by Marion Grierson and Evelyn Spice. Around the Village Green was made for the Travel and Industrial Development As...

Concert version of the radio drama The Rescue (1943) prepared by Christopher de Souza in association with Donald Mitchell and Colin Matthews, Instrumentation: 2(II=picc).2.2(II=bcl).asax.2 - 4331 - ti...

Britten's setting of Edith Sitwell's poem 'Praise We Great Men', was left unfinished at his death. It was being written for Mstislav Rostrpovich to include in his first season with the National Sympho...

Britten's last opera, Death In Venice , is based on the short story by Thomas Mann. It follows the inner turmoil of the ageing novelist Gustav von Aschenbach, who becomes infatuated by a boy he sees o...

Vocal score to Benjamin Britten's The Rescue of Penleope , for narrator, four solo voices and orchestra. The concert version of the radio drama The Rescue (1943) prepared by Christopher de Souza i...

Love from a Stranger was a 'thriller' starring Ann Harding and Basil Rathbone, based on an Agatha Christie short story, Philomel Cottage. As well as Britten's score, the film also included excerpts fr...

Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the...

The first broadcast of the incidental music for D. G. Bridson's radio drama, King Arthur was given on 23rd April (St. George's Day) 1937. The first performance of this Suite for Orchestra was given on...

This concert version has been prepared by Donald Mitchell for Soprano, Alto, Tenor and Baritone soloists, 1 or 2 speakers, SATB choir and Orchestra. The text has been compiled by R. Ellis Roberts. Th...

In preparing for publication the 1935 orchestral version of Britten's Te Deum in C, it became clear that there were a number of discrepancies between the manuscript and the original 193 vocal score. S...

It is hard to believe that Benjamin Britten was 16 when he wrote the Quartettino, such is the skill and intellectual command. Peter Stadlen, The Daily Telegraph, 25 May 1983

It is hard to believe that Benjamin Britten was 16 when he wrote the Quartettino, such is the skill and intellectual command. Peter Stadlen, The Daily Telegraph, 25 May 1983