Bernhard Päuler

The abundant fund of the quintets does not allow the selection of the never-ending, always new palette of inventions. All pieces are too precious to be 'allowed' to do without them.

Still touched by the never-ending inventiveness of each of Cambini's quintets, the publisher continues to publish this almost sunken quintet genre.

The sextet has an Allegro at the beginning, which is followed by a Cantabile, a Minuet with Trio, and finally a Rondo Allegro. It is characterized by striking harmony and great thought. The cantabile...

We have rarely found compositions that are so beautiful and emotional. The sources for our editions are the undated first editions of the parts of both quartets pinted in 1862, which are preserved by...

We have rarely found compositions that are so beautiful and emotional. The sources for our editions are the undated first editions of the parts of both quartets pinted in 1862, which are preserved by...

This six-movement work in love with sound is one of the most precious pieces in the trio literature. Cellists should find the virtuoso interludes of their part challenging and delightful.

With regard to the Adagio, one may speak of a 'necessary' discovery: Rarely has composition been so dreamily beautiful and emotive.

First Edition

These quadros, endowed with contrapuntal subtleties, also disprove the preconception of the dry fugues of the great Viennese master. Easy to execute.

The quartets of the 'almost' forgotten master bear witness to an impressive and eternally timeless tonal-painterly beauty and ingenious compositional style. Access with courage.

Thanks to their timeless tonal beauty and impressive technical refinement, these 'rediscovered' quartets will also find friends.

Each of the three quartets offers the players highly romantic 'equal' pleasure, with the technical demands of playing kept within bounds. The pieces are repertoire-worthy.

Edited from the first edition.