Bob Lipton

Based entirely on a one-octave D Major scale, this jovial work is an ideal selection for the lighter portion of your concert. In addition to its fun, dance-like character, the work serves as a wonderf...

Vivaldi and Bach together - what could be better?! Originally written by Vivaldi as a concerto for 2 violins, cello and strings, the piece was later arranged by Bach as a concerto for solo organ. This...

Vivaldi and Bach together - what could be better?! Originally written by Vivaldi as a concerto for 2 violins, cello and strings, the piece was later arranged by Bach as a concerto for solo organ. This...

Vivaldi and Bach together - what could be better?! Originally written by Vivaldi as a concerto for 2 violins, cello and strings, the piece was later arranged by Bach as a concerto for solo organ. This...

Vivaldi and Bach together - what could be better?! Originally written by Vivaldi as a concerto for 2 violins, cello and strings, the piece was later arranged by Bach as a concerto for solo organ. This...

With Bach's death quickly approaching, this "deathbed chorale" was the last piece of music he ever wrote. Filled with long phrases of complex counterpoint and intense emotion, your students and audien...

With Bach's death quickly approaching, this "deathbed chorale" was the last piece of music he ever wrote. Filled with long phrases of complex counterpoint and intense emotion, your students and audien...

With Bach's death quickly approaching, this "deathbed chorale" was the last piece of music he ever wrote. Filled with long phrases of complex counterpoint and intense emotion, your students and audien...

A slow and starkly beautiful Adagio is followed by a riot of joyous counterpoint in this example of English Baroque writing at its finest. Paying tribute to Saint Cecilia (patron Saint of Musicians),...

A slow and starkly beautiful Adagio is followed by a riot of joyous counterpoint in this example of English Baroque writing at its finest. Paying tribute to Saint Cecilia (patron Saint of Musicians),...

A slow and starkly beautiful Adagio is followed by a riot of joyous counterpoint in this example of English Baroque writing at its finest. Paying tribute to Saint Cecilia (patron Saint of Musicians),...

Powerful, energetic and fun, this piece is a great vehicle to introduce students to independent playing in a simple way. Bolster confidence in each section as they each take a turn at several differen...

Powerful, energetic and fun, this piece is a great vehicle to introduce students to independent playing in a simple way. Bolster confidence in each section as they each take a turn at several differen...

Powerful, energetic and fun, this piece is a great vehicle to introduce students to independent playing in a simple way. Bolster confidence in each section as they each take a turn at several differen...

Powerful, energetic and fun, this piece is a great vehicle to introduce students to independent playing in a simple way. Bolster confidence in each section as they each take a turn at several differen...

The personality of Rimsky-Korsakov's original really shines through in this fantastic arrangement. The piece offers great performance flexibility, working equally well as an opener, closer, or even a...

The personality of Rimsky-Korsakov's original really shines through in this fantastic arrangement. The piece offers great performance flexibility, working equally well as an opener, closer, or even a...

The personality of Rimsky-Korsakov's original really shines through in this fantastic arrangement. The piece offers great performance flexibility, working equally well as an opener, closer, or even a...

The personality of Rimsky-Korsakov's original really shines through in this fantastic arrangement. The piece offers great performance flexibility, working equally well as an opener, closer, or even a...

Here's a big band chart for strings without the need for a rhythm section or any improvisation! Basses lay down a walking bass line while each section gets to play melodic and backing figures, learnin...

Here's a big band chart for strings without the need for a rhythm section or any improvisation! Basses lay down a walking bass line while each section gets to play melodic and backing figures, learnin...

Add a touch of Latin flair to your next program with this driving, rhythmic work. Infectious melodies combine with a touch of tango as every section gets a chance to dig in. Not for the faint of heart...