Brian Ferneyhough

First performed March 1975, Royan Festival, Berne String Quartet.

First performed September 1980, South West German Radio, Arditti String Quartet. Commissioned by South West German Radio

First performed October 1986, Donaueschingen Music Days, Irvine Arditti. Commissioned by South West German Radio Part 3 of the Carceri d'Invenzione Cycle

First performed February 1992, University of California San Diego by Steve Schick.

Part 1 of the Carceri d'Invenzione Cycle

Commissioned by the asamisimasa ensemble

First performed December 1989, Musikhochschule Freiburg, Ensemble Recherche

First performed November 1995, Victoria Hall, Geneva, Trio Contrechamps. Commissioned by the Paris Autumn Festival.

For String Quartet (after Christopher Tye) (2006).

Commissioned by Ensemble Recherche

First performed July 1967, Mahatma Gandhi Hall, Arradon Ensemble conducted by the composer.

First performed March 1975, Royan Festival, London Sinfonietta and soloists conducted by the composer. Commissioned by the French Ministry of Culture.

First performed April 1974, Herkulessaal der Residenz Munich, Bavarian Radio Orchestra conducted by Ernest Bour.

First performed October 1975, Donaueschingen Music Days, Schola Cantorum Stuttgart conducted by Clytus Gottwald. Commissioned by South West German Radio

Commissioned by Ensemble Modern, with friendly support by the society 'Freunde des EM e.V.” and with funds by the Hessian Ministry for Science and the Arts

First performed October 1986, Donaueschingen Music Days, Roberto Fabbriciani. Commissioned by South West German Radio Part 7 of the Carceri d'Invenzione Cycle The audio content of the tape is availabl...

Commissioned by the Ensemble Intercontemporain

First performed March 1990, De Doelen Rotterdam, Nieuw Ensemble

First performed February 1998, San Diego, Sonor Ensemble conducted by Steve Schick.

Text by Charles Bernstein.Commissioned by Ensemble Intercontemporain and Musée d'Orsay

Scene 1, Scene 2 (Les Froissements d'Ailes de Gabriel), Scene 3 (The Doctrine of Similarity), Scene 4 (Opus Contra Naturam), Scene 5 (Pools of Darkness), Scene 6 (Seven Tableaux Vivants Representing t...

Text by Charles Bernstein. Commissioned by François and Jean-Phillippe Billerant for IRCAM