Bruno Peterschmitt

Le Martyre de Saint Sébastien is a five-act musical mystery play on the subject of Saint Sebastian, with a text written in 1911 by the Italian author Gabriele d'Annunzio and incidental music by the Fr...

Le Martyre de Saint Sébastien is a five-act musical mystery play on the subject of Saint Sebastian, with a text written in 1911 by the Italian author Gabriele d'Annunzio and incidental music by the Fr...

Le Martyre de Saint Sébastien is a five-act musical mystery play on the subject of Saint Sebastian, with a text written in 1911 by the Italian author Gabriele d'Annunzio and incidental music by the Fr...

Le Martyre de Saint Sébastien is a five-act musical mystery play on the subject of Saint Sebastian, with a text written in 1911 by the Italian author Gabriele d'Annunzio and incidental music by the Fr...

Leoš Janáček (1854 - 1928) was a Czech composer, musical theorist, folklorist, publicist and teacher. He was inspired by Moravian and other Slavic folk music to create an original, modern musical styl...

Leoš Janáček (1854 - 1928) was a Czech composer, musical theorist, folklorist, publicist and teacher. He was inspired by Moravian and other Slavic folk music to create an original, modern musical styl...

Leoš Janáček (1854 - 1928) was a Czech composer, musical theorist, folklorist, publicist and teacher. He was inspired by Moravian and other Slavic folk music to create an original, modern musical styl...

Leoš Janáček (1854 - 1928) was a Czech composer, musical theorist, folklorist, publicist and teacher. He was inspired by Moravian and other Slavic folk music to create an original, modern musical styl...

The 'Marsch der Priester' is played at the very beginning of the second act of Mozart's opera 'Die Zauberflöte': the priests enter to a solemn march. Bruno Peterschmitt transcribed this march for a Br...

The 'Marsch der Priester' is played at the very beginning of the second act of Mozart's opera 'Die Zauberflöte': the priests enter to a solemn march. Bruno Peterschmitt transcribed this march for a Br...

The 'Marsch der Priester' is played at the very beginning of the second act of Mozart's opera 'Die Zauberflöte': the priests enter to a solemn march. Bruno Peterschmitt transcribed this march for a Br...

The 'Marsch der Priester' is played at the very beginning of the second act of Mozart's opera 'Die Zauberflöte': the priests enter to a solemn march. Bruno Peterschmitt transcribed this march for a Br...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

'Die Zauberflöte' isn't a romantic love story but a real parable: a resemblance about higher human striving to purity and self-improvement. Not love between two people is in the centre but a more indi...

Modest Mussorgsky (1839-1881) composed the 'Pictures at an Exhibition' in 1874 as a suite of ten piano pieces. The suite is generally acknowledged to be Mussorgsky's greatest solo piano composition, a...

Modest Mussorgsky (1839-1881) composed the 'Pictures at an Exhibition' in 1874 as a suite of ten piano pieces. The suite is generally acknowledged to be Mussorgsky's greatest solo piano composition, a...

Modest Mussorgsky (1839-1881) composed the 'Pictures at an Exhibition' in 1874 as a suite of ten piano pieces. The suite is generally acknowledged to be Mussorgsky's greatest solo piano composition, a...

Modest Mussorgsky (1839-1881) composed the 'Pictures at an Exhibition' in 1874 as a suite of ten piano pieces. The suite is generally acknowledged to be Mussorgsky's greatest solo piano composition, a...

'La Péri' is a 1912 ballet in one act by French composer Paul Dukas, originally choreographed by Ivan Clustine and first performed in Paris, about Iskender (the name of Alexander the Great in Persian)...