Camille Saint-Saëns

Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) an...

Le Cygne stammt aus dem Zyklus "Le Carnaval des animaux", in dem 14 kleine Werke für verschiedene Besetzungen zusammengefasst wurden. Die Originalbesetzung des Stücks war Violoncello und zwei Klaviere...

Bringen Sie die tiefen Stimmen ins Rampenlicht! In dieser Bearbeitung von Saint-Saens' 'Karneval der Tiere' hat Matt Conaway ein leicht zugängliches und zuhörerfreundliches Arrangement geschaffen, das...

MusicWorks - Grade 4 Exotic and exciting certainly describe this familiar work from Samson and Delilah by Saint-Sa?Öns. This masterful transcription for band by Jay Bocook presents challenging (yet ce...

A masterpiece of classical literature, this marvelous work adapts beautifully for concert band in the expert hands of Jay Bocook. The woodwinds and brass share the spotlight on Introduction and Royal...

A masterpiece of classical literature, this marvelous work adapts beautifully for concert band in the expert hands of Jay Bocook. The woodwinds and brass share the spotlight on Introduction and Royal...

A masterpiece of classical literature, this marvelous work adapts beautifully for concert band in the expert hands of Jay Bocook. The woodwinds and brass share the spotlight on Introduction and Royal...

Über diese gut gemachte und leicht zugängliche Bearbeitung des Klassikers Karneval der Tiere von Camille Saint-SaÙns werden sich sicherlich nicht nur Dirigenten von Jugendblasorchestern freuen. James...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

An uncommon and surprising combination: violin and wind orchestra. The arrangement of this work by Camille Saint-Sa?ns was commisioned by Harmonie Orpheus Tilburg and performed at the 1997 World Music...

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

The prelude from Saint-SaÙns' Christmas oratorio, to which the composer himself added the note, 'in the style of Bach'. An extremely fitting opening to any Christmas concert. (Concert Band)

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

The Oratorio de NoÙl, opus 112 was composed in 1858 and is one of the four oratorios he wrote.It is scored for five soloists (soprano, mezzo-soprano, alto, tenor and baritone) four-part mixed choir, s...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...

For the Danse Macabre, Saint-SaÙns turned to the 'Dance of the Death', which appears in various versions in the Art of the later Middle Ages. Saint-SaÙns evokes (using the xylophone) the midnight cavo...