Camille Saint-Saëns

Saint-Saëns' etudes for the left hand were written in 1912 at the request of his pianist friend Caroline Montigny-Rémaury de Serres, who had suffered an injury to her right hand. These etudes which we...

Camille Saint-Saëns: Solo Piano Rarities presents six never-before published gems of the piano literature by Camille Saint-Saëns (1835-1921). Edited for the first time ever by pianist Geoffrey Burleso...

Transcribed for Two Pianos, Four Hands by Ralph Berkowitz. Includes set of parts for each player.

Saint-Saens beliebtes Werk Karneval der Tiere ist nun auch als spanische Ausgabe in der Reihe Klassische Meisterwerke zum Kennenlernen erschienen. Die leichte Klavierbearbeitung der 'großen zoologisch...

In diesem Band der Reihe 'Klassische Meisterwerke zum Kennenlernen' wird das großartige Werk Karneval der Tiere von Camille Saint-Saëns (1835-1921) in leichter Bearbeitung für Klavier vorgestellt. Dar...

Two copies needed for performance This was the last concerto that Saint-Saëns wrote for his own instrument, the piano. Its subtitle has a dual meaning. Firstly, it was composed quickly in Luxor and Ca...

Given Saint-Saëns' talents both as pianist and composer, it stood to reason that he would engage with the piano concerto genre early on. But he gave a clear renunciation of the 'concerto brilliant' th...

Saint-Saens, Camille (1835 - 1921)

Accompaniment: Plovdiv Philharmonic Orchestra - Of Saint-Saens' five great piano concerti, this may be termed the grandaddy of them all; it has remained unflinchingly in the repertoire since its premi...

Piano Concerto No. 4 in C minor (concerto pour piano en ut mineur), Op. 44 by Camille Saint-Saëns, is the composer's most structurally innovative piano concerto. In one sense it is like a four-movemen...

Saint-Saëns wrote for the harp the Fantaisie op. 95 (1893), the Fantaisie op. 124 with violin (1907) and the Morceau de Concert op. 154 with orchestral accompaniment (1918); the transcriptions of the...

The Bacchanale from the opera *Samson et Dalila* is one of Camille Saint-Saëns’s best-known orchestral works. At the beginning of the third act, it depicts the magnificent festival of the Philistines...

The Bacchanale from the opera *Samson et Dalila* is one of Camille Saint-Saëns’s best-known orchestral works. At the beginning of the third act, it depicts the magnificent festival of the Philistines...