Camille Saint-Saëns

In A minor, and written in 1863, though not premiered until 1867 by violinist Pablo de Sarasate to whom it is dedicated and conducted by the composer, INTRODUCTION AND RONDO CAPRICCIOSO was originally...

In A minor, and written in 1863, though not premiered until 1867 by violinist Pablo de Sarasate to whom it is dedicated and conducted by the composer, INTRODUCTION AND RONDO CAPRICCIOSO was originally...

In A minor, and written in 1863, though not premiered until 1867 by violinist Pablo de Sarasate to whom it is dedicated and conducted by the composer, INTRODUCTION AND RONDO CAPRICCIOSO was originally...

Written in 1874, the orchestral tone poem Danse Macabre Op. 40 by Camille Saint -Saëns (1835-1921) premiered in January of 1875 and was not well received by the audience. 21st century scholar Roger Ni...

Written in 1874, the orchestral tone poem Danse Macabre Op. 40 by Camille Saint -Saëns (1835-1921) premiered in January of 1875 and was not well received by the audience. 21st century scholar Roger Ni...

Camille Saint-Saëns (1835-1921) composed his CELLO CONCERTO No. 1 in A minor, Op. 33, for Belgian cellist, instrument maker, and friend Auguste Tolbecque in 1872, at the age of 37. Premiered by Tolbec...

Camille Saint-Saëns (1835-1921) composed his CELLO CONCERTO No. 1 in A minor, Op. 33, for Belgian cellist, instrument maker, and friend Auguste Tolbecque in 1872, at the age of 37. Premiered by Tolbec...

Saint-Saens' Le Carnaval des Animaux hat eine eigenartige Geschichte. Es dürfte vielleicht der einzige Fall sein, dass ein Komponist ein Werk nach wenigen Aufführungen zurückzog (abgesehen von einem k...

Camille Saint-Saëns wrote this sonata at the end of a very long career. It was originally meant to be part of a collection of six sonatas for various wind instruments. Unfortunately the composer died...

The characteristic clarity and sweetness of Saint-Saëns' tonal language is combined with a depth of expression that gives the work lasting validity. Repertoire!

Camille Saint-Saens' Sonata For Clarinet And Piano Op. 167, as edited by Paul Harvey. The solo clarinet part is also included on a separate insert.

Saint-Saëns' tone poem begins at midnight on Halloween. Death plays the fiddle to summon the dead from their graves; the music builds as more and more skeletons join in, eventually reaching a fortissi...