Camille Saint-Saëns

A solo, for French Horn, composed by Camille Saint-Saëns.

Das Morceau de concert op. 94 von Camille Saint-Saëns (1835 - 1921) entstand 1887 kurz nacheinander in Versionen für Horn und Klavier bzw. Horn und Orchester; während der handschriftliche Klavierpart...

In February 1886, Camille Saint-Saëns was supposed to urgently complete his “Organ Symphony”, but instead he worked on a composition that he had been dwelling on for a long time. This was “The Carniva...

In February 1886, Camille Saint-Saëns was supposed to urgently complete his "Organ Symphony", but instead he worked on a work that had been on his mind for a long time: "Le Carnaval des animaux", with...

The Symphony No. 3 in C minor, popularly known as the "Organ Symphony", was completed in 1886 at what could be considered the artistic peak of Saint-Saëns' (1835-1921) career. The composer said of the...

Written in only 17 days at the request of famed Russian pianist Anton Rubinstein so that Rubinstein could enjoy his Parisian conducting debut with Saint-Saëns, this PIANO CONCERTO NO. 2 in G minor is...

Written in only 17 days at the request of famed Russian pianist Anton Rubinstein so that Rubinstein could enjoy his Parisian conducting debut while Saint-Saëns, this PIANO CONCERTO NO. 2 in G minor is...

Camille Saint-Saëns (1835-1921) wrote his final piano concerto, Concerto No. 5, Op. 103, in 1896, which debuted that year with the composer himself performing the solo part. It derives its subtitle, "...

The CONCERTO FOR VIOLIN No. 3 in B minor, Op. 61 was written in March of 1880, when Camille Saint-Saëns (1835-1921) was 44 years old and at the peak of his output. Written for fellow composer and virt...

The CONCERTO FOR VIOLIN No. 3 in B minor, Op. 61 was written in March of 1880, when Camille Saint-Saëns (1835-1921) was 44 years old and at the peak of his output. Written for fellow composer and virt...

In A minor, and written in 1863, though not premiered until 1867 by violinist Pablo de Sarasate to whom it is dedicated and conducted by the composer, INTRODUCTION AND RONDO CAPRICCIOSO was originally...

In A minor, and written in 1863, though not premiered until 1867 by violinist Pablo de Sarasate to whom it is dedicated and conducted by the composer, INTRODUCTION AND RONDO CAPRICCIOSO was originally...

In A minor, and written in 1863, though not premiered until 1867 by violinist Pablo de Sarasate to whom it is dedicated and conducted by the composer, INTRODUCTION AND RONDO CAPRICCIOSO was originally...

Written in 1874, the orchestral tone poem Danse Macabre Op. 40 by Camille Saint -Saëns (1835-1921) premiered in January of 1875 and was not well received by the audience. 21st century scholar Roger Ni...

Written in 1874, the orchestral tone poem Danse Macabre Op. 40 by Camille Saint -Saëns (1835-1921) premiered in January of 1875 and was not well received by the audience. 21st century scholar Roger Ni...

Camille Saint-Saëns (1835-1921) composed his CELLO CONCERTO No. 1 in A minor, Op. 33, for Belgian cellist, instrument maker, and friend Auguste Tolbecque in 1872, at the age of 37. Premiered by Tolbec...

Camille Saint-Saëns (1835-1921) composed his CELLO CONCERTO No. 1 in A minor, Op. 33, for Belgian cellist, instrument maker, and friend Auguste Tolbecque in 1872, at the age of 37. Premiered by Tolbec...

Camille Saint-Saëns wrote this sonata at the end of a very long career. It was originally meant to be part of a collection of six sonatas for various wind instruments. Unfortunately the composer died...

The characteristic clarity and sweetness of Saint-Saëns' tonal language is combined with a depth of expression that gives the work lasting validity. Repertoire!

Camille Saint-Saens' Sonata For Clarinet And Piano Op. 167, as edited by Paul Harvey. The solo clarinet part is also included on a separate insert.

Saint-Saëns' tone poem begins at midnight on Halloween. Death plays the fiddle to summon the dead from their graves; the music builds as more and more skeletons join in, eventually reaching a fortissi...

Saint-Saëns' tone poem begins at midnight on Halloween. Death plays the fiddle to summon the dead from their graves; the music builds as more and more skeletons join in, eventually reaching a fortissi...