Christiaan Janssen
Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...
Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...
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Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...
Der Ring des Nibelungen (The Ring of the Nibelung) is a cycle of four epic operas by German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas and the...
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Maurice Ravel finished In 1905 his piano cycle 'Miroirs' of which some parts are orchestrated by the composer himself. Especially the fourth part, 'Alborada del gracioso', created in 1919 in Paris for...
Maurice Ravel finished In 1905 his piano cycle 'Miroirs' of which some parts are orchestrated by the composer himself. Especially the fourth part, 'Alborada del gracioso', created in 1919 in Paris for...
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Maurice Ravel finished In 1905 his piano cycle 'Miroirs' of which some parts are orchestrated by the composer himself. Especially the fourth part, 'Alborada del gracioso', created in 1919 in Paris for...
Maurice Ravel finished In 1905 his piano cycle 'Miroirs' of which some parts are orchestrated by the composer himself. Especially the fourth part, 'Alborada del gracioso', created in 1919 in Paris for...
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Maurice Ravel finished In 1905 his piano cycle "Miroirs" of which some parts are orchestrated by the composer himself. Especially the fourth part, "Alborada del gracioso", created in 1919 in Paris for...
Maurice Ravel finished In 1905 his piano cycle "Miroirs" of which some parts are orchestrated by the composer himself. Especially the fourth part, "Alborada del gracioso", created in 1919 in Paris for...
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In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestr...
In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestr...
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In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestr...
In 1876, Edvard Grieg created incidental music for the premiere of Ibsen's play 'Peer Gynt', at the request of the author. Many of the pieces from this work became very popular in the form of orchestr...
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In 1876, Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suites...
In 1876, Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suites...
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In 1876, Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suites...
In 1876, Grieg created incidental music for the premiere of Ibsen's play Peer Gynt, at the request of the author. Many of the pieces from this work became very popular in the form of orchestral suites...
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The 'Duetto buffo di due gatti' (Comic duet for two cats) is a popular performance piece for two sopranos which is often performed as a concert encore. The 'lyrics' consist entirely of the repeated wo...
The 'Duetto buffo di due gatti' (Comic duet for two cats) is a popular performance piece for two sopranos which is often performed as a concert encore. The 'lyrics' consist entirely of the repeated wo...
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The 'Duetto buffo di due gatti' (Comic duet for two cats) is a popular performance piece for two sopranos which is often performed as a concert encore. The 'lyrics' consist entirely of the repeated wo...
The 'Duetto buffo di due gatti' (Comic duet for two cats) is a popular performance piece for two sopranos which is often performed as a concert encore. The 'lyrics' consist entirely of the repeated wo...
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The 'Duetto buffo di due gatti' (Comic duet for two cats) is a popular performance piece for two sopranos which is often performed as a concert encore. The 'lyrics' consist entirely of the repeated wo...
The 'Duetto buffo di due gatti' (Comic duet for two cats) is a popular performance piece for two sopranos which is often performed as a concert encore. The 'lyrics' consist entirely of the repeated wo...
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The 'Duetto buffo di due gatti' (Comic duet for two cats) is a popular performance piece for two sopranos which is often performed as a concert encore. The 'lyrics' consist entirely of the repeated wo...
The 'Duetto buffo di due gatti' (Comic duet for two cats) is a popular performance piece for two sopranos which is often performed as a concert encore. The 'lyrics' consist entirely of the repeated wo...
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In 1880, Tschaikowsky composed the 'Capriccio Italien, Opus 45', as a fantasy for orchestra. He was inspired by a trip he took to Rome, during which he saw the Carnival in full swing, and is reminisce...
In 1880, Tschaikowsky composed the 'Capriccio Italien, Opus 45', as a fantasy for orchestra. He was inspired by a trip he took to Rome, during which he saw the Carnival in full swing, and is reminisce...
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In 1880, Tschaikowsky composed the 'Capriccio Italien, Opus 45', as a fantasy for orchestra. He was inspired by a trip he took to Rome, during which he saw the Carnival in full swing, and is reminisce...
In 1880, Tschaikowsky composed the 'Capriccio Italien, Opus 45', as a fantasy for orchestra. He was inspired by a trip he took to Rome, during which he saw the Carnival in full swing, and is reminisce...
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In 1880, Tschaikowsky composed the 'Capriccio Italien, Opus 45', as a fantasy for orchestra. He was inspired by a trip he took to Rome, during which he saw the Carnival in full swing, and is reminisce...
In 1880, Tschaikowsky composed the 'Capriccio Italien, Opus 45', as a fantasy for orchestra. He was inspired by a trip he took to Rome, during which he saw the Carnival in full swing, and is reminisce...
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In 1880, Tschaikowsky composed the 'Capriccio Italien, Opus 45', as a fantasy for orchestra. He was inspired by a trip he took to Rome, during which he saw the Carnival in full swing, and is reminisce...
In 1880, Tschaikowsky composed the 'Capriccio Italien, Opus 45', as a fantasy for orchestra. He was inspired by a trip he took to Rome, during which he saw the Carnival in full swing, and is reminisce...
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In 1939, Russian composer Dmitri Kabalevsky wrote incidental music for a children's play called 'The Inventor and the Comedians', by the Soviet Jewish writer Mark Daniel. The play was staged at the 'C...
In 1939, Russian composer Dmitri Kabalevsky wrote incidental music for a children's play called 'The Inventor and the Comedians', by the Soviet Jewish writer Mark Daniel. The play was staged at the 'C...
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In 1939, Russian composer Dmitri Kabalevsky wrote incidental music for a children's play called 'The Inventor and the Comedians', by the Soviet Jewish writer Mark Daniel. The play was staged at the 'C...
In 1939, Russian composer Dmitri Kabalevsky wrote incidental music for a children's play called 'The Inventor and the Comedians', by the Soviet Jewish writer Mark Daniel. The play was staged at the 'C...
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...
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As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...
As a composer Lehár started with contributions to the opera-genre but the great triumph of his first operetta 'Die lustige Witwe', (The merry widow), in 1905 made him clear that he had to give his tal...
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Alexander Glazunov (1865 - 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. In 1899 Glazunov composed the music for the ballet 'The Seasons'. It's is an...
Alexander Glazunov (1865 - 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. In 1899 Glazunov composed the music for the ballet 'The Seasons'. It's is an...
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Alexander Glazunov (1865 - 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. In 1899 Glazunov composed the music for the ballet 'The Seasons'. It's is an...
Alexander Glazunov (1865 - 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. In 1899 Glazunov composed the music for the ballet 'The Seasons'. It's is an...
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Alexander Glazunov (1865 - 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. In 1899 Glazunov composed the music for the ballet 'The Seasons'. It's is an...
Alexander Glazunov (1865 - 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. In 1899 Glazunov composed the music for the ballet 'The Seasons'. It's is an...
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Alexander Glazunov (1865 - 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. In 1899 Glazunov composed the music for the ballet 'The Seasons'. It's is an...
Alexander Glazunov (1865 - 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. In 1899 Glazunov composed the music for the ballet 'The Seasons'. It's is an...
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