Christoph Willibald Gluck
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The edition is part of the Trinity syllabus 2007 (grade 6)
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This edition contains French operatic arias for soprano from the works which opera reformer Christoph Willibald Gluck composed on commission for the Paris Opera. These include: – Iphigénie en Aulide –...
This edition contains French operatic arias for soprano from the works which opera reformer Christoph Willibald Gluck composed on commission for the Paris Opera. These include: – Iphigénie en Aulide –...
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This volume for tenor is published in collaboration with the Centre de musique baroque de Versailles (CMBV) as part of the series of all arias from French-language operas by the opera reformer Christo...
This volume for tenor is published in collaboration with the Centre de musique baroque de Versailles (CMBV) as part of the series of all arias from French-language operas by the opera reformer Christo...
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- Heinz Moehn Michael Töpel
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The fact that the "opéra comique", rooted in the folk art of French vaudeville, was brought to one of its high points in Vienna by Gluck, an Italian composer from the Upper Palatinate, clearly shows t...
The fact that the "opéra comique", rooted in the folk art of French vaudeville, was brought to one of its high points in Vienna by Gluck, an Italian composer from the Upper Palatinate, clearly shows t...
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- Thomas Hauschka
- Bärenreiter Verlag
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Opéra comique in two acts (1760) Libretto: Louis Anseaume (for Jean-Louis Laruette's opéra comique "L'ivrogne corrigé ou Le mariage du diable" of 1759; adapted by Charles Simon Favart) (French) Premie...
Opéra comique in two acts (1760) Libretto: Louis Anseaume (for Jean-Louis Laruette's opéra comique "L'ivrogne corrigé ou Le mariage du diable" of 1759; adapted by Charles Simon Favart) (French) Premie...
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- Sergiu Celibidache
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Ezio is based on a libretto by Pietro Metastasio, which was first set to music by Nicola Porpora (1728), then - among many others - by Georg Friedrich Händel (1732) and in 1750 by Christoph Willibald...
Ezio is based on a libretto by Pietro Metastasio, which was first set to music by Nicola Porpora (1728), then - among many others - by Georg Friedrich Händel (1732) and in 1750 by Christoph Willibald...
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- Wolfgang Wiechert
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Dramma per musica in tre atti - Sopran solo (4), Alt solo, Tenor solo, Flöte (2), Oboe (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher, Cembalo - Klavierauszug; Gesamtausgabe; Urtextausgabe
Dramma per musica in tre atti - Sopran solo (4), Alt solo, Tenor solo, Flöte (2), Oboe (2), Fagott (2), Horn (2), Trompete (2), Pauke, Streicher, Cembalo - Klavierauszug; Gesamtausgabe; Urtextausgabe
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In 1768, Gluck was asked by Empress Maria Theresa to compose a festive opera in Parma on the occasion of the wedding of her daughter Maria Amalia to Ferdinand of Spain. The composer accepted the commi...
In 1768, Gluck was asked by Empress Maria Theresa to compose a festive opera in Parma on the occasion of the wedding of her daughter Maria Amalia to Ferdinand of Spain. The composer accepted the commi...
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Die Uraufführung der Azione teatrale 'Orfeo ed Euridice' 1762 in Wien war ein bedeutsames Ereignis in der Geschichte des Musiktheaters. Mit diesem Werk lehnte sich der Komponist erstmals gegen die sta...
Die Uraufführung der Azione teatrale 'Orfeo ed Euridice' 1762 in Wien war ein bedeutsames Ereignis in der Geschichte des Musiktheaters. Mit diesem Werk lehnte sich der Komponist erstmals gegen die sta...
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- Heinz Moehn
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The episode of Armida from Torquato Tasso's epic poem La Gerusalemme liberata (1575) has been one of the most popular opera subjects since the 17th century and has inspired numerous composers, includi...
The episode of Armida from Torquato Tasso's epic poem La Gerusalemme liberata (1575) has been one of the most popular opera subjects since the 17th century and has inspired numerous composers, includi...
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The episode of Armida from Torquato Tasso's epic poem La Gerusalemme liberata (1575) has been one of the most popular opera subjects since the 17th century and has inspired numerous composers, includi...
The episode of Armida from Torquato Tasso's epic poem La Gerusalemme liberata (1575) has been one of the most popular opera subjects since the 17th century and has inspired numerous composers, includi...
- Soloists and Orchestra
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- Jürgen Sommer
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The edition contains French arias for soprano or mezzo-soprano from operas composed by opera reformer Christoph Willibald Gluck for the Paris Opera. Each edition includes an informative text section c...
The edition contains French arias for soprano or mezzo-soprano from operas composed by opera reformer Christoph Willibald Gluck for the Paris Opera. Each edition includes an informative text section c...
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This volume contains French operatic arias for baritone from works that opera reformer Christoph Willibald Gluck was commissioned to compose for the Paris Opéra: 'Iphigénie en Aulide' (1774) 'Cythère...
This volume contains French operatic arias for baritone from works that opera reformer Christoph Willibald Gluck was commissioned to compose for the Paris Opéra: 'Iphigénie en Aulide' (1774) 'Cythère...
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Mezzosopran und Klavier
Mezzosopran und Klavier
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Ach, ich habe sie verloren (Orpheus und Eurydike) Arie (deutsch/italienisch) für Alt und Klavier (OG 47)
Ach, ich habe sie verloren (Orpheus und Eurydike) Arie (deutsch/italienisch) für Alt und Klavier (OG 47)
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Tragédie Opéra (Drama héroique) in 3 acts. Paris version 1774 (French/German). Piano reduction after the Urtext of the Gluck Complete Edition. Soprano solo (2), tenor solo, mixed choir-ball, flute (2)...
Tragédie Opéra (Drama héroique) in 3 acts. Paris version 1774 (French/German). Piano reduction after the Urtext of the Gluck Complete Edition. Soprano solo (2), tenor solo, mixed choir-ball, flute (2)...
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- Jürgen Sommer
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Drama héroique in 5 Akten. Klavierauszug nach dem Urtext der Gluck-Gesamtausgabe. Sopran solo (9), Alt solo, Tenor solo (3), Bariton solo (2), Bass solo, Gemischter Chor, Flöte (2), Oboe (2), Klarinet...
Drama héroique in 5 Akten. Klavierauszug nach dem Urtext der Gluck-Gesamtausgabe. Sopran solo (9), Alt solo, Tenor solo (3), Bariton solo (2), Bass solo, Gemischter Chor, Flöte (2), Oboe (2), Klarinet...
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- Jürgen Sommer
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An early favorite of Hand's was Segovia's transcription of the outer section of the Gluck classic. He now completes the Ballet and Dance for solo guitar, using key and rhythm changes to lie better upo...
An early favorite of Hand's was Segovia's transcription of the outer section of the Gluck classic. He now completes the Ballet and Dance for solo guitar, using key and rhythm changes to lie better upo...
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