Christopher D. Wiggins

A short sonatina in three movements in neo-classical stlye, aimed at players at UK Grade 6 level. This piece is a useful addition to the general concert repertoire at that level, and is also ideal as...

A short sonatina in three movements in neo-classical stlye, aimed at players at UK Grade 6 level. This piece is a useful addition to the general concert repertoire at that level, and is also ideal as...

A 9-minute long concerto aimed at aspring soloists who are interested in performing a short concerto. The solo part is just above UK Grade 8 and the orchestral parts are all at around UK Grade 7-8. Th...

A 9-minute long concerto aimed at aspring soloists who are interested in performing a short concerto. The solo part is just above UK Grade 8 and the orchestral parts are all at around UK Grade 7-8. Th...

The full score alone of the above-named concerto

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

A 9-minute long concerto aimed at aspring soloists who are interested in performing a short concerto. The solo part is just above UK Grade 8 and the orchestral parts are all at around UK Grade 7-8. Th...

The full score alone of the above-named concerto

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

A 9-minute long concerto aimed at aspring soloists who are interested in performing a short concerto. The solo part is just above UK Grade 8 and the orchestral parts are all at around UK Grade 7-8. Th...

The full score alone of the above-named concerto

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

A 9-minute long concerto aimed at aspring soloists who are interested in performing a short concerto. The solo part is just above UK Grade 8 and the orchestral parts are all at around UK Grade 7-8. Th...

The full score alone of the above-named concerto

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

A 9-minute long concerto aimed at aspring soloists who are interested in performing a short concerto. The solo part is just above UK Grade 8 and the orchestral parts are all at around UK Grade 7-8. Th...

The full score alone of the above-named concerto

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

The piano reduction of the above-named concerto, this is useful both for rehearsal purposes and as a stand-alone recital piece in its own right.

An 18-minute long concerto for four solo horns and orchestra commissioned by the late James Emerson (Emerson Horn Editions), and first performed with the Jefferson Symphony Orchestra in Golden, Colora...

The full score alone of the above-named concerto.