Clara Schumann
As a pianist and composer, Clara Schumann played her own improvised exercises prior to playing scales, and improvised preludes as introductions to pieces she was performing. This is a collection of se...
As a pianist and composer, Clara Schumann played her own improvised exercises prior to playing scales, and improvised preludes as introductions to pieces she was performing. This is a collection of se...
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- Valerie Woodring Goertzen
- Theodore Presser Company
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After the Schumann family moved to Dusseldorf in 1850, Clara Schumann (1819-1896) had a new lease of life in terms of her productivity as a composer. The Three Romances op. 22 for Violin and Pianofort...
After the Schumann family moved to Dusseldorf in 1850, Clara Schumann (1819-1896) had a new lease of life in terms of her productivity as a composer. The Three Romances op. 22 for Violin and Pianofort...
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- Robert Lienau Musikverlag
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Next to the Fantasiestücke op. 73 (Fantasias op. 73) by Robert Schumann there are indeed numerous other works for the clarinet from the Romantic period. Nevertheless, these three romances) by Clara Sc...
Next to the Fantasiestücke op. 73 (Fantasias op. 73) by Robert Schumann there are indeed numerous other works for the clarinet from the Romantic period. Nevertheless, these three romances) by Clara Sc...
- Bassoon and Piano
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- Accolade Musikverlag
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- String Quintet
- Set of Parts
- Friedrich Hofmeister Musikverlag
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Clara Schumann was already established as a successful concert pianist and composer in 1843 when she published her second book of songs set to poetry, Sechs Lieder, Op. 13. By this time, at the young...
Clara Schumann was already established as a successful concert pianist and composer in 1843 when she published her second book of songs set to poetry, Sechs Lieder, Op. 13. By this time, at the young...
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- Lauren Taylor
- Carl Fischer
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édition bon(n)orgue Vol. 20
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- Thomas Schmögner
- Musikverlag Christoph Dohr
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- Literature
- Book
- Breitkopf & Härtel KG
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Andante (from 3 Romances, Op. 11 No.1) by Clara Schumann. Arranged for piano solo in digital sheet music format.
Andante (from 3 Romances, Op. 11 No.1) by Clara Schumann. Arranged for piano solo in digital sheet music format.
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Scherzo (from 'Piano Sonata in G minor') by Clara Schumann. Arranged for piano solo in digital sheet music format.
Scherzo (from 'Piano Sonata in G minor') by Clara Schumann. Arranged for piano solo in digital sheet music format.
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This collection of arrangements showcases the diversity of the salon music genre—ranging from Clara Schumann's "classically" conceived dances to Camilla Frydan's "Walzerlied," which falls within the r...
This collection of arrangements showcases the diversity of the salon music genre—ranging from Clara Schumann's "classically" conceived dances to Camilla Frydan's "Walzerlied," which falls within the r...
- 2 Violins, Cello, Double Bass and Piano
- Score and Parts
- Ursula Erhart-Schwertmann
- Furore Verlag
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Carolyn Brown’s flute transcription of Clara Schumann’s haunting THREE ROMANCES, originally for Violin and Piano, has long been a staple of the 19th-century flute repertoire in an earlier edition. Thi...
Carolyn Brown’s flute transcription of Clara Schumann’s haunting THREE ROMANCES, originally for Violin and Piano, has long been a staple of the 19th-century flute repertoire in an earlier edition. Thi...
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- Carolyn Brown
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This music book contains the original sheet music of "Quatre Pièces fugitives" (N° 3 Andante espressivo) by Clara Schumann for Piano. Suitable for advanced players.
This music book contains the original sheet music of "Quatre Pièces fugitives" (N° 3 Andante espressivo) by Clara Schumann for Piano. Suitable for advanced players.
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The material of the theme is derived from the last name of the work's dedicatee, Countess von Abegg. Composed in 1830, the Opus 1 is his first composition, for Piano solo, and provides a superb piece...
The material of the theme is derived from the last name of the work's dedicatee, Countess von Abegg. Composed in 1830, the Opus 1 is his first composition, for Piano solo, and provides a superb piece...
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- G. Schirmer
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Schumann intended the eight pieces of his Noveletten, Op. 21 (1838) to be performed as a group, though they are often successfully performed separately. Edited by Clara Schumann.
Schumann intended the eight pieces of his Noveletten, Op. 21 (1838) to be performed as a group, though they are often successfully performed separately. Edited by Clara Schumann.
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Edited by Clara Schumann.
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This edition will assist piano students in achieving a better, more stylistically correct interpretation of some of Robert and Clara Schumann's finest keyboard music written at the intermediate to adv...
This edition will assist piano students in achieving a better, more stylistically correct interpretation of some of Robert and Clara Schumann's finest keyboard music written at the intermediate to adv...
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- Maurice Hinson
- Alfred Publishing
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Piano - playing score
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- Bärenreiter Verlag
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Compositions of medium difficulty. Playing score
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Among the leading pianists of the 19th century, Clara Schumann was a respected published composer in her lifetime, regarded by her contemporaries as a member of the avant-garde 'new romantic' school....
Among the leading pianists of the 19th century, Clara Schumann was a respected published composer in her lifetime, regarded by her contemporaries as a member of the avant-garde 'new romantic' school....
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- Dover Publications
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Scherzo (from 'Piano Sonata in G minor') by Clara Schumann arranged for intermediate piano solo, in digital sheet music format. Taken from The Piano Player: Uplifting Classics - 20 of the most famous...
Scherzo (from 'Piano Sonata in G minor') by Clara Schumann arranged for intermediate piano solo, in digital sheet music format. Taken from The Piano Player: Uplifting Classics - 20 of the most famous...
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Cadenza to Beethoven's Piano Concerto in G Major Op.58, first movement, written by Clara Schumann and edited by Ludwig Sémerjian, taken from Cadenzas to Piano Concertos by Beethoven and Mozart for pia...
Cadenza to Beethoven's Piano Concerto in G Major Op.58, first movement, written by Clara Schumann and edited by Ludwig Sémerjian, taken from Cadenzas to Piano Concertos by Beethoven and Mozart for pia...
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Cadenza to Beethoven's Piano Concerto in G Major Op.58, third movement, written by Clara Schumann and edited by Ludwig Sémerjian, taken from Cadenzas to Piano Concertos by Beethoven and Mozart for pia...
Cadenza to Beethoven's Piano Concerto in G Major Op.58, third movement, written by Clara Schumann and edited by Ludwig Sémerjian, taken from Cadenzas to Piano Concertos by Beethoven and Mozart for pia...
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- Edition Peters
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