Claude Debussy

Influenced by the visual arts, Debussy titled Estampes as such to indicate his wish to merge the visual with the aural. In addition to including biographical information regarding the life, times and...

Composed in 1905 this volume of Images, comprise three contrasting pieces, demonstrate conciseness, deep dramatic content and colorful tonal imagery. Debussy established Impressionism as a pianistic s...

Composed in 1907 this volume of Images, comprise three contrasting pieces, demonstrate conciseness, deep dramatic content and colorful tonal imagery. Debussy established Impressionism as a pianistic s...

Chosen for the late-intermediate to moderately advanced student, these eight preludes are the most accessible of the 24. They are a treasure for developing sophisticated pedaling, voicing of contrapun...

Maurice Hinson has provided an excellent edition of the famous Reverie, well-spaced and readable, with performance suggestions, footnotes, and historical information.

One of Debussy's most ambitious Impressionistic sea-pieces for piano, composed in the summer of 1904 when he was visiting an island in the English Channel. Ravel called this piece 'an orchestral reduc...

Composed between 1906 and 1908, the Children's Corner Suite was written to capture the essence of childhood with charm, grace and humor. Debussy's intention was to create moods and sensations and, uti...

The More than Slow Waltz is one way to translate this interesting Debussy work. The composer was apparently fascinated by the waltz form for many reasons, and this particular work represented a reacti...

This may well be the perfect introduction to the flavor and style of Debussy's work. Written in G-flat major, the song's tempo is 'very calm and sweetly expressive,' and the best elements of impressio...

Debussy does not link his "12 Préludes" of the first volume by a tonal scheme, but by a chain of associative mottos or titles which he leaves at the end of each piece and which may give an indication...

Three years after the publication of the first volume, the second volume of Debussy's Préludes appeared in 1913, reflecting the impression of Stravinsky's music. In his new Urtext edition, musicologis...

I believe - without false vanity - that these three pieces will do well and take their place in the piano literature ... to the left of Schumann or to the right of Chopin ... as you like it, Debussy w...

Ich glaube - ohne falsche Eitelkeit -, dass diese drei Stücke sich gut machen und ihren Platz in der Klavierliteratur einnehmen werden - zur Linken Schumanns oder zur Rechten Chopins - as you like it'...

I believe - without false vanity - that these three pieces will do well and take their place in the piano literature ... to the left of Schumann or to the right of Chopin ... as you like it, Debussy w...

This edition offers a selection of Debussy's easiest piano pieces and valuable insights into the range and variety of Debussy's music. Alongside such popular favorites as "The Little Negro" and "Clair...

Bärenreiter's new Urtext edition of Claude Debussy's unique collection ' Children's Corner' documents the development of these popular pieces, taking into account all known sources including Debussy's...

Following the critical new edition of Debussy's "Children's Corner" (BA 8767), the "Deux Arabesques" now follow in an Urtext edition for practical use. These unique works of piano literature were firs...

Herausgegeben von / Edited by Eberhardt Klemm.

An urtext edition for piano.

An urtext edition for piano.

An urtext edition of one of Debussy's most popular piano works. This ethereal, flowing section of Suite Bergamasque is diatonic and displays a conventional harmonic vocabulary in D-flat major. The tit...

An urtext edition for piano.