Colette Mourey
Vocalise-Étude en forme de Habanera is a refined work by Maurice Ravel from 1907. Originally composed as a wordless vocal etude, the piece focuses on the suppleness of the melodic line and the purity...
Vocalise-Étude en forme de Habanera is a refined work by Maurice Ravel from 1907. Originally composed as a wordless vocal etude, the piece focuses on the suppleness of the melodic line and the purity...
- Viola and Piano
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The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
- Bassoon and Piano
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The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
The Sonata No. 1 by Pietro Baldassare reflects the subtle Baroque style of the early eighteenth century and combines formal clarity with expressive melody. Baldassare, who was mainly active in Germany...
- Bassoon and Piano
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- Colette Mourey
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The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
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The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
The Concerto (S. Z799) by Alessandro Marcello was composed at the beginning of the 18th century and is one of the most important works of the Italian Baroque. It impresses with the elegance of its mus...
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This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...
This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...
- Bassoon and Piano
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- Colette Mourey
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This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...
This triptych brings together three important works from Sergei Rachmaninov's vocal oeuvre, in which the melodic line unfolds with extraordinary expressiveness and lyrical freedom. The Vocalise from t...
- Bassoon and Piano
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- Colette Mourey
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Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
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Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
Composed at the beginning of the 20th century, Érik Satie's Gnossienne No. 1 is one of the most emblematic works by this unique French composer. With its floating and hypnotic melody, it creates a mys...
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With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
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With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
With Gnossienne No. 2, Erik Satie continues his exploration of a free, reduced and deeply introspective musical language. The work was composed towards the end of the 19th century and is characterized...
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Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
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Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
Gnossienne No. 3, composed in 1890, is one of Erik Satie's most characteristic and visionary works. Free of traditional metrical structures, the music unfolds in a calm, inward-looking atmosphere full...
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Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
- Bassoon and Piano
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Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
Je te veux, composed in 1902, is one of Erik Satie's best-known and most endearing works. Originally conceived as a sung waltz, the piece captivates with its elegant melody and subtle, ironic underton...
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The Sonata HWV 370 by George Frideric Handel (1685-1759) is a luminous and expressive work that demonstrates the composer's Baroque genius. It is characterized by its balance between virtuosity and el...
The Sonata HWV 370 by George Frideric Handel (1685-1759) is a luminous and expressive work that demonstrates the composer's Baroque genius. It is characterized by its balance between virtuosity and el...
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The Sonata HWV 370 by George Frideric Handel (1685-1759) is a luminous and expressive work that demonstrates the composer's Baroque genius. It is characterized by its balance between virtuosity and el...
The Sonata HWV 370 by George Frideric Handel (1685-1759) is a luminous and expressive work that demonstrates the composer's Baroque genius. It is characterized by its balance between virtuosity and el...
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The sonata RV 58 "Il Pastor Fido" is an emblematic work that has been attributed to Antonio Vivaldi, but whose actual author is the French musician Nicolas Chédeville. Published in the 18th century un...
The sonata RV 58 "Il Pastor Fido" is an emblematic work that has been attributed to Antonio Vivaldi, but whose actual author is the French musician Nicolas Chédeville. Published in the 18th century un...
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The sonata RV 58 "Il Pastor Fido" is an emblematic work that has been attributed to Antonio Vivaldi, but whose actual author is the French musician Nicolas Chédeville. Published in the 18th century un...
The sonata RV 58 "Il Pastor Fido" is an emblematic work that has been attributed to Antonio Vivaldi, but whose actual author is the French musician Nicolas Chédeville. Published in the 18th century un...
- Bassoon and Piano
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Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
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Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
Tomaso Albinoni is one of the most important representatives of Italian instrumental music of the early 18th century. His Concerto a Cinque Op. 7 No. 6 perfectly illustrates the elegance and clarity o...
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Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...
Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...
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Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...
Johann Sebastian Bach’s Concertos BWV 595 & 984, arranged by Colette Mourey, impressively showcase the full expressive richness and architectural mastery of Bach’s compositional style. These two works...
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Georg Friedrich Handel’s Concerto a due cori, HWV 334, belongs to his mature Baroque orchestral period. The work is characterized by its monumental structure and its dialogic style, which is based on...
Georg Friedrich Handel’s Concerto a due cori, HWV 334, belongs to his mature Baroque orchestral period. The work is characterized by its monumental structure and its dialogic style, which is based on...
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Georg Friedrich Handel’s Concerto a due cori, HWV 334, belongs to his mature Baroque orchestral period. The work is characterized by its monumental structure and its dialogic style, which is based on...
Georg Friedrich Handel’s Concerto a due cori, HWV 334, belongs to his mature Baroque orchestral period. The work is characterized by its monumental structure and its dialogic style, which is based on...
- 2 Bassoons and Piano
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